Showing posts with label Nickelodeon Anniversaries and Birthdays. Show all posts
Showing posts with label Nickelodeon Anniversaries and Birthdays. Show all posts

Thursday, November 05, 2026

KaBlam! Turns 30! The Creators & Crew Reunite for a Nickelodeon Reunion | Splat Attack Podcast

KaBlam! Turns 30! The Creators & Crew Reunite for a Nickelodeon Reunion | Splat Attack Podcast


KaBlam! is turning 30, and we're bringing together the people who helped make Nickelodeon's most wonderfully chaotic show! 🎉

Thirty years ago, cartoons and comics collided when KaBlam! burst onto Nickelodeon. Now, we're celebrating three decades of Henry and June, Action League Now!, Prometheus and Bob, Life with Loopy, Sniz & Fondue, and so many other unforgettable shorts!

For this special anniversary reunion, we're joined by members of the creative team behind the series to revisit how KaBlam! got its start and hear the stories that happened behind the scenes.

From the original concept for Henry and June (which almost involved a laundromat!) to the unconventional animation techniques behind Life with Loopy, there's plenty to unpack. We also get the story behind Prometheus and Bob's found-footage format, the wonderfully destructive world of Action League Now!, the show's unforgettable music, and why some of its most beloved segments never got the chance to become full-fledged series.

Plus, we hear about a certain chicken belonging to Neil Young, the show's surprising connection to Burger King toys, the campaign to bring KaBlam! back for another season, and what it was like working on such an unconventional show during Nickelodeon's golden age.

And stick around for our KaBlam!-themed This or That segment!

Whether you grew up watching Henry and June turn the pages or spent your afternoons cheering on the Action League, this is a celebration of the people, creativity, and wonderfully weird ideas that made KaBlam! special.

Be sure to check out Mark Cooper's The Orange Tape to check out his song on KaBlam as well as a send up to Nickelodeon's History:


If you'd like to see about purchasing the screen used Prometheus and Bob stop-motion models, link below:

💬 QUESTION FOR YOU: If you could create your own short for KaBlam!, what would it be about, and what animation style would you use? Tell us in the comments!


Thanks for tuning in, and we'll splat you later!

Timestamp Chapter
0:00 KaBlam! 30th Anniversary Reunion
4:14 How KaBlam! Got Its Start
8:43 Creating Henry and June
14:03 The Making of Life with Loopy
18:18 Prometheus and Bob: Behind the Scenes
27:27 Action League Now! and Chuckamation
33:04 KaBlam!'s Wildest Moments
39:17 Life with Loopy: Stories, Puppets & Neil Young's Chicken
50:57 Why Did KaBlam! End?
55:55 The Music Behind KaBlam!
1:02:08 How the Shorts Came Together
1:08:04 The Legacy of KaBlam!
1:13:20 This or That: KaBlam! Edition

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#KaBlam #Nickelodeon #90sNickelodeon #HenryAndJune #ActionLeagueNow #PrometheusAndBob #SplatAttack #90sCartoons

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Friday, October 23, 2026

Hey Arnold! 30th Anniversary: Justin Shenkarow (Harold) Tells All! | Splat Attack Podcast

Hey Arnold! 30th Anniversary: Justin Shenkarow (Harold) Tells All! | Splat Attack Podcast


Hey Arnold! is turning 30, and we're celebrating with the voice of Harold Berman himself! 🎉 Join Splat Attack as we welcome Justin Shenkarow for a nostalgic, behind-the-scenes look at one of the most beloved animated shows of the '90s.

Justin takes us inside the world of Hey Arnold! and shares what it was really like growing up while voicing Harold. From auditioning for the original pilot to recording alongside his fellow young cast members, these are the kinds of stories every '90s Nick fan will love.

🎙️ IN THIS EPISODE:

How Justin Shenkarow landed the role of Harold Berman
What made the original Hey Arnold! pilot so special
Why the young cast recorded their lines together
The surprising history of Arnold's early claymation appearances
How Hey Arnold! tackled real-life issues, including family, bullying, and cultural identity
Why Harold's Bar Mitzvah was especially meaningful to Justin
Behind-the-scenes memories of creator Craig Bartlett and the original cast
What happened when the original actors returned for Hey Arnold!: The Jungle Movie
Justin's favorite episodes, memorable catchphrases, and fan interactions
Our Tuned In segment: the songs that remind us of Hey Arnold!

Plus, we discuss the show's legacy, the friendships formed in the recording studio, and why this heartfelt Nickelodeon classic continues to connect with fans decades later.

💬 QUESTION FOR YOU: Who is your favorite Hey Arnold! character? Tell us in the comments [YouTube]! And which episode do you think deserves more love?

Be sure to follow Justin at: https://www.justinshenkarow.com/


Thanks for tuning in, and we'll splat you later!

0:00 Hey Arnold! Turns 30 | Welcome to Splat Attack
1:18 Justin Shenkarow Returns as Harold Berman
3:05 Remembering the Original Hey Arnold! Pilot
5:33 How Justin Landed the Role of Harold
8:05 Recording Hey Arnold! With the Original Cast
10:59 The Surprising History of Arnold's Origins
15:02 Did the Cast Know Hey Arnold! Would Become a Classic?
17:10 Harold's Bar Mitzvah and the Show's Deeper Stories
20:00 The Hard Work Behind Voice Acting
22:16 Behind-the-Scenes Stories and Craig Bartlett
28:12 Growing Up With the Hey Arnold! Cast
33:14 Hey Arnold!: The Movie and The Jungle Movie
38:24 Justin Shenkarow on Connecting With Fans
48:17 Justin's Favorite Hey Arnold! Episodes
52:40 Tuned In: The Songs That Remind Us of Hey Arnold!

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Stream all your favorite Nickelodeon shows old and new on Paramount+. Try it at ParamountPlus.com!

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#HeyArnold #JustinShenkarow #SplatAttack

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Tuesday, October 20, 2026

‘The Smurfs’ Season 4 Gets First Look as Peyo Productions Reunites With Nickelodeon, RTBF, Ketnet, KiKA and TF1

Ahead of the beloved characters' 70th birthday in 2028, the fourth season of the 2021 CG hit reboot is currently under production, with a first part planned for fourth quarter 2027

Smurfs Season 4 exclusive first look
Smurfs Season 4 exclusive first look. Credits Peyo Productions – Dupuis Édition & Audiovisuel – Ellipsanime Productions – KiKA – KETNET – RTBF – 2026

Peyo Productions, the production arm of Peyo Company, home of the beloved Smurfs characters, has confirmed that the fourth season of its 2021 global hit CG-animated series The Smurfs is currently in production, sharing a first-look at a colorful new setting, featuring the iconic legacy characters created by Peyo. The news was first reported by Variety.

The 52 11-minute episodes will be delivered in two parts, the first half at the end of 2027, while the second will air in 2028 as part of a joint anniversary year for the Smurfs characters, celebrating Peyo’s 100th birthday and the Smurfs 70th birthday.

Produced with French animation powerhouse Ellipse Animation, The Smurfs brings back together longtime European co-production broadcasters RTBF, Ketnet, KiKA, and TF1, as well as global partner Nickelodeon. Starting fourth quarter 2027, the partnering European broadcasters will premiere the new season in Germany (KiKA), France (TF1) and Belgium (Ketnet, RTBF), while Nickelodeon will premiere the series in the US before rolling out later in the rest of the world.

In Season 4 of The Smurfs, Papa Smurf, Smurfette, Jokey, and Storm take back the stage as the stakes get higher, the pranks wilder, and the magic more unpredictable.

“Our series has always been a character-driven series,” shares William Renaud, who’s been directing the show since 2021 and returns for this fourth season, along with head writers Peter Saisselin and Amy Serafin. “With more than 100 Smurfs, we have plenty of stories to play with. Going back to our main protagonists in this season also allows us to bring back the legacy of the original comic books, while still tackling modern topics in a comedic way.”

This season also marks a bold leap forward in the Smurfs universe, with the introduction an impactful Smurfies Village, previously introduced at the end of season 3.

'The Smurfs' Season Four
Credits Peyo Productions – Dupuis Édition & Audiovisuel – Ellipsanime Productions – KiKA – KETNET – RTBF – 2026

A vibrant new setting is filled with surprises and spirited Smurf girls, with Blossom, Storm and Willow becoming recurring characters in these fun-filled Smurfy adventures. “Their personalities aren’t tied to a function, but rather to emotions, or nature,” explains Renaud. “And their village mirrors this colorful, flower-filled state of mind.”

Combined, all these stories and character arcs directly connect with the series’ directing, continued Renaud. Fast-paced when necessary, and slower at other times, allowing the characters to shine while avoiding gratuitous and artificial staging, making children forget there’s a barrier between them and their favorite Smurfs.

“For me,” concludes Renaud, “the Smurfs are human beings like everyone else. They are guided by their emotions and humor, which is why kids love them so much. I mean, what could be more universal? They offer us a mirror to our flaws, like Chaplin in his time. They are not confined to a particular era, but rooted in humanity, and I think that’s the key to their enduring longevity.”

Nele de Wilde, executive producer and CCO Audiovisual & Music at Peyo Productions, agreed. “Truth be told, the Smurfs never cease to amaze us. Even after four seasons, there are still so many stories to be told, thanks to the legacy of Peyo. And while bringing the Smurfs to the screen in the last decades, we learned that the main characters like Papa Smurf, Smurfette, Brainy, Hefty and Baby are still among the most popular characters with kids.”

Instead of creating new characters, the team chose to create new stories with these existing ones. “As the saying goes, you don’t change a winning team.”

‘The Smurfs’ Season 3 key art
‘The Smurfs’ Season 3 key art, Credits Peyo Productions – Dupuis Édition & Audiovisuel – Ellipsanime Productions – KiKA – KETNET – RTBF – 2026 | Peyo Company

The same goes for Peyo Productions’ longtime partners, still thrilled to be part of a success story. “The team truly brought ‘The Smurfs’ up to a totally smurfy new level, enlarging the world of the Smurfs with great stories that are bursting with fun and much-needed laughter in these times,” adds an enthused Sebastian Debertin, head of international content, acquisitions & co-productions at KiKA.

Paola Acosta Orjuela, animation co-production manager at RTBF, also lauded the balance Peyo Productions found with this new season, between staying true to the Smurfs’ identity and bringing something new.

That feeling was shared by Yann Labasque, director of youth programs at TF1 Group. “The Smurfs’ humor, energy and team spirit continue to captivate young audiences, and are a perfect fit for the playful, feel-good spirit of our children’s programming. Get ready for more fun-filled adventures!”

As the teams are heading back once again to Smurf village, De Wilde and Caroline Duvochel, executive producer and CEO at Ellipse Animation (which has worked for nearly 10 years on the series), underline together the great artists behind this one-of-a-kind European show.

“Most of the artists who worked with us are coming back to the project because they love playing with the Smurfs so much,” explained De Wilde. “And they keep sharing how fun it is to work on this series! For most, it’s a childhood dream. Also, a big shout out to our two in-house art directors, Luc Parthoens and Tom Cosijn, who make sure we stay true to the brand’s DNA and keep the top notch quality we have aimed for since the beginning.”

Smurfs fan around the world are in for many blue treats in the upcoming months. During the big anniversary coming in 2028 (70 years of Smurfs, 100 years of Peyo), Part 2 of Season 4 will be released, and Peyo Productions is working on more special content for this celebration year, which it will present at Mipcom.

Update (10/13) - From Señal News:

How will be the new season of "The Smurfs"?

Peyo Company and partners unveils first look for the 52 x 11’ CG-animated series, wich enters production alongside Ellipse Animation, Nickelodeon, RTBF, Ketnet, KiKA, and TF1 ahead of the franchise's 70th anniversary.

Peyo Productions and Ellipse Animation have unveiled the first look at Season 4 of "The Smurfs" (52x11’), following the renewal of co-production and broadcast agreements with Nickelodeon, RTBF, Ketnet, KiKA, and TF1. The new season will be delivered in two parts, launching in late 2027 and continuing into 2028 to align with the Smurfs' 70th anniversary and creator Peyo’s 100th birthday celebration.

The fourth season, directed by William Renaud alongside head writers Peter Saisselin and Amy Serafin, centers on core characters Papa Smurf, Smurfette, Jokey, and Storm, while expanding on the colorful Smurfies Village introduced in Season 3. Broadcast deliveries will commence in Q4 2027 on TF1 (France), RTBF and Ketnet (Belgium), and Nickelodeon globally, followed by KiKA in Germany in 2028.

William Renaud, Director said: “The Smurfs has always been a character-driven series, and with more than 100 Smurfs, we have plenty of stories to play with. Going back to our main protagonists in this season also allows us to bring back the legacy of the original comic books, while still tackling modern topics in a comedic way. And as for our Smurf girls, it was key for us that they’d have their own identity. Their personalities aren’t tied to a function, but rather to emotions, or nature. My idea has always been to stay true to the story and the characters, avoiding gratuitous and artificial staging.”

“While bringing the Smurfs to the screen, we learnt that the main characters like Papa Smurf, Smurfette, Brainy, Hefty and Baby are still amongst the most popular characters with kids. For this new season, instead of creating new characters, we felt it would be better to create new stories with our existing ones,” said Nele de Wilde, Executive Producer and CCO Audiovisual & Music at Peyo Productions.

Caroline Duvochel, CEO of Ellipse Animation, added: “Now in its fourth season, the magic of the Smurfs continues to work its wonders! The teams at Ellipse Animation are especially proud to have been contributing for nearly 10 years to this extraordinary series, driven by the humor, adventure, and optimism that lie at the heart of the universe created by Peyo.”

Sebastian Debertin, Head of International Content, Acquisitions & Co-Productions, KiKA: “What a pleasure to bring this hilarious and outstanding series with the co-production of the 4th season and the two specials back to the German audiences, especially in the light of the upcoming 30th anniversary of KiKA in 2027! ... Amy Serafin and Peter Saisselin truly brought the Smurfs up to a totally smurfy new level and enlarged the world of the Smurfs with great stories that are bursting with fun and laughter!”

Yann Labasque, Director of Youth Programs, TF1 Group: “We are delighted to continue our partnership with Peyo Productions and Ellipse Animation and bring the Smurfs back to TFOU for a fourth season. Their humour, energy and team spirit continue to captivate young audiences and are a perfect fit for the playful, feel-good spirit of our children’s programming.”

Paola Acosta Orjuela, Animation Co-production Manager, RTBF: “RTBF is very happy to continue this long-standing collaboration with the Smurfs, a strong Belgian brand that continues to resonate with audiences. Over the years, we have built a relationship based on trust and teamwork... What I love about this new season is the balance between staying true to the Smurfs’ identity and bringing something new, with humour still at the heart of the series.”

###


“We approach the characters and the stories in a very contemporary way”

William Renaud, Director of "The Smurfs" Season 4, discusses the creative direction for the upcomings series, detailing how contemporary themes, the introduction of the Smurfies Village, and character-driven storytelling keep the iconic franchise globally resonant.

Co-produced by Peyo Productions and Dupuis Edition & Audiovisuel, the acclaimed 3D CGI series "The Smurfs" is preparing its fourth season for a 2027 debut. Produced by Véronique Culliford alongside executive producers Nele de Wilde and Caroline Duvochel, the upcoming 52x11’ installment builds on the original work created by Peyo. In this interview, William Renaud, Director of "The Smurfs" – Season 4, breaks down how the new season balances classic comic strip fundamentals with contemporary themes, introduces new emotional dynamics through the Smurfies, and maintains the universal human appeal that has driven the property's enduring global legacy across generations.

“The Smurfs” – Season 4 promises higher stakes, wilder pranks, and unpredictable magic. What are the key narrative dynamics and new adventures that viewers can expect in this upcoming installment?
“The narrative elements used in the fourth series are the same as in the previous series. The stories are mostly character driven. This means that the character is the driving force behind their own story and with over 100 Smurfs to choose from, we’re spoilt for choice. For this fourth series, we’ve also based ourselves on the fundamentals of the comic strips, by focusing stories on Gargamel and other main characters from the original Smurf books. We’ve also broached more contemporary themes like fake news, taking care of the environment and robotics, to ground the series in our times.”

A major highlight this season is the introduction of the Smurfies Village. What was the creative and strategic vision behind incorporating this vibrant new setting and its new characters into the franchise?
“It seemed obvious to us that, like in the comic strips, our 100 Smurfs need their female counterparts. But we didn’t want the female characters to just be a mirror image of the Smurf universe. We wanted the Smurfies to have their own identity, which is why their personalities aren’t the same as the Smurf ones, where they’re linked to a function or a personality trait. The Smurfies’ personalities are linked to emotions or nature. Their village doesn’t look like a clearing in the forest, but rather like a beautifully colored garden filled with flowers.”

With Gargamel returning to his most cunning and menacing self, how did you balance the show’s traditional slapstick humor and heart with more action-driven, high-stakes storytelling for today's audience?
“We approach the characters and the stories in a very contemporary way, which is why the series appeals to all generations. The themes are both deeply human and universal, they pull on the heart strings of the viewers. And emotions don’t change, even in a constantly evolving world. Moreover, the scenography serves the narrative: it has rhythm when needed and then slows down at other times. The idea is to stick with the story that is being told and what the character is going through, and to avoid gratuitous and artificial theatrical effects. The camera has to be from the point of view of the viewer, so that they can forget that there is a screen between them and the story that is being told.”

Spanning over six decades of global success, what do you think lies at the very core of The Smurfs’ enduring legacy across generations?
“To come back to what I was saying earlier, the Smurfs are humans like you and I. They are guided by their emotions and by humour - and there is nothing more universal than that. They serve as a mirror of our failings, like Chaplin back in the day. They’re not locked in the past, they’re grounded in humanity. I think that’s the main explanation for their longevity,”.

###

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Originally published: October 09, 2026.

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Saturday, October 17, 2026

Marc Summers Reacts to ‘Double Dare’ Photos & Nickelodeon Slime Memories | PEOPLE

Marc Summers Reacts to ‘Double Dare’ Photos & Nickelodeon Slime Memories | PEOPLE


Marc Summers looks back at his life and career through photos, from performing magic as a kid to becoming the host of Nickelodeon’s Double Dare. He shares how he landed the audition, why producers chose him, and the exact recipe for the show’s famous slime. Marc remembers his pie fight with Burt Reynolds on The Tonight Show with Jay Leno, playing racquetball with David Letterman, and going out to dinner with Bobby Flay. He reflects on opening up about OCD on Oprah, beating cancer, and meeting his wife while working as a page on The Mary Tyler Moore Show. Looking back on it all, he says, “I think that’s why we’re all put here, to do good things for others and I hope I’ve done enough.”

Timestamps:
0:00 – Marc Summers Reacts to His Life in Photos
0:31 – ‘Double Dare’ (1986)
4:06 – Pie Fight with Burt Reynolds (1994)
5:47 – Dinner with Bobby Flay (2020)
7:43 – Talking About OCD on Oprah (1997)
8:48 – With David Letterman (2025)
10:45 – Performing Magic (1964)
11:29 – Beating Cancer (2014)
12:43 – With His Wife (2024)

From PEOPLE:

Marc Summers Reveals What That Slime Was Really Made of as He Reflects on Double Dare’s 40th Anniversary (Exclusive)

The host of the beloved kids’ game show tells PEOPLE about some of the most unforgettable moments, 40 years later

NEED TO KNOW

  • Marc Summers has hosted many iterations of Double Dare over the years, beginning with the original series, which ran from 1986 to 1989
  • Speaking with PEOPLE, Summers shared the story behind securing the hosting gig and the atmosphere of ‘90s Nickelodeon
  • Summers also revealed the network’s original slime recipe

Marc Summers has nothing but warm memories of Double Dare, 40 years later.

Summers was an up-and-coming stand-up comedian with some hosting experience when the Nickelodeon game show opportunity came up. The 74-year-old tells PEOPLE that the opportunity actually wasn’t his own.

“The Double Dare job all happened by mistake. A friend of mine, Dave Garrison, who was a ventriloquist from Indianapolis, had moved to Los Angeles, and we were both trying to grow our careers. I get a phone call one day and Dave says, ‘You know what? I can’t do this anymore. I’m going to move behind the scenes and become a producer. I got a call from a network I’d never heard of called Nickelodeon. They’re doing a kid’s game show. Do you want to go instead of me?’ ” Summers tells PEOPLE.

“I said, ‘Of course. I want to host a game show.’ So when I got there, they say, ‘Dave Garrison?’ I said, ‘Dave’s not here. My name is Marc. Can I go instead of him?’ ” he continued. Not only did the network agree to let him audition, but Summers left feeling like “I’ve nailed this.”

Summers called his agent to convey his excitement, only to be told to temper himself as the agent had “about 10 other clients going” to audition. After three callbacks, Summers was anxious to learn whether he’d gotten the gig. He called one of the creators to ask for an update. Creator Mike Klinghoffer admitted he had reservations about Summers’ lack of experience working with kids, even though he was already a dad.

Summers suggested testing each host with kids and “let the best man win.” Some phone calls and an hour later, Klinghoffer said the idea was a-go.

“So they flew me and this other person — to this day, I don’t know who it is — to New York and we shot. I went first, then they threw me out of the studio, brought the other guy in, and two days later they called me and they said, ‘Congratulations, you’re the host of Double Dare,’ ” he shared.

The job was life-changing for Summers, who said, “There was never a bad day on the set of Double Dare, whether it was real-life kids who we picked up from Philly or New Jersey or then we shot in New York for a while, and then we shot down in Orlando, but every day was a good day.”

Summers even got used to the network’s signature slime, which was heavily featured in the show’s physical challenges. He explained, “People always want to know what the slime was. Well, the insurance people back in the day said if the slime gets in the kids’ mouths, it has to be edible.”

“The original recipe was vanilla pudding, applesauce, green food coloring, and a little oatmeal to thicken it up,” he revealed. “When we brought it back the last time, when I was exec producing and a sidekick to another host, they had a new formula to slime, and when we went in there, you could build the viscosity, the thickness, the thinness. Do you want it to sort of slowly drip down? Do you want it to drip down fast? And I’m assuming it’s still edible, ‘cause if the kids got it in their mouth, it had to be edible, but it just didn’t look the same and it didn’t smell as good.”

Summers hosted Double Dare from 1986 to 1989, followed by Family Double Dare from 1990 to 1993, with various specials and reinventions that followed. Altogether, he hosted over 500 episodes of the show and admitted that he has a favorite that stands out.

“Favorite show I ever did on Double Dare, and we did originally 525 and then there’s been other versions that I’ve done, [was when] we did Super Slop-a-Mania and we had Bobby the Brain Heenan with Gorilla Monsoon. And they were huge performers with the WWF at the time, before it became the WWE, and they just were good,” he recalled. “They were entertaining, they were fun, they were funny, the kids loved them, and it stands in my mind as perhaps the best show we ever did.”

The memories are as sweet as ever as Summers prepares to host a special celebration this month, honoring 40 years of Double Dare.

“I cannot believe that we’re celebrating the 40th anniversary of Double Dare. I mean, I was 34 years old, 35 when we started this thing, and here we are making a celebration. I figure this is the last time we’re going to be doing this. In 10 years, if I’m still around, I’ll be 85. I don’t know if I’ll be able to walk at that point. I mean, I try to look after myself, take care of myself... but who knows what the future brings,” he shared.

“I figured this is the last time we get the whole gang together, so all of our producers or most of them. Harvey, our announcer, Robin, my sidekick on the air, we’re all getting together, and we’re going to have an audience of 300 people at City Winery,” he said of the Philadelphia-based reunion. “And we’re going to play physical challenges, we’re going to have slime, we’re going to show them clips that they probably have never seen or don’t remember seeing, and I think it’s going to be a fun 90-minute show of going back in time and reliving your childhood.”

###

From PEOPLE:

Marc Summers Showered Backstage at Double Dare to Remove Slime While Quietly Living with OCD (Exclusive)

“I was not going to work so hard my entire life to get to where I finally wanted to go and say, ‘Hey, I’m not pouring slime on me,’ “ Summers says.

NEED TO KNOW

  • Marc Summers tells PEOPLE about hosting Double Dare, Nickelodeon’s messiest show
  • He coped with the mess by showering backstage to remove the show’s infamous slime
  • Years later, he was hosting a Lifetime show in 1995 when a guest doctor described obsessive-compulsive disorder, and he recognized the patterns

Marc Summers had a complicated relationship with slime.

When the Double Dare host, 74, first took the reins on the Nickelodeon series in 1986, he didn’t know what he was getting himself into. While he was aware it was a kids’ game show, Summers didn’t know how messy it would be.

“For the first 65 episodes, I never got a bit of anything on me, especially slime or whipped cream. I had not been officially diagnosed with obsessive-compulsive disorder; I just knew I didn’t like getting messy. So I was able to dodge it. I wasn’t wearing Reeboks; I was wearing penny loafers, and I kind of did things my own way,” Summers tells PEOPLE.

The show was a hit and picked up by the network for 65 more episodes. They looked into what they could do to make the hit even more appealing to viewers.

“They did a focus group with kids, and they said, ‘We love the show. The only thing that’s missing is we want to get the host messy.’ So the executives from Nickelodeon called me in and had said, ‘Everything’s going great. The kids love you. The network loves you. The ratings are great. One thing we need to change, you got to wear Reeboks ‘cause they’re our sponsor and you should have them, and, secondly, you got to get messy,’ ” he recalls.

Summers had his reservations at first, but couldn’t deny he was enjoying his dream job. “You’re getting paid to do something you always wanted to do your entire life. You do what they tell you. And so, yeah, I had got slimed and whipped creamed and had stuff dumped on me, and we would be ready to do the obstacle course and the kids would say, ‘At the end of the course, if we go all the way, can we throw stuff at you?’ and I said, ‘Yeah, whatever you want,’ ” he shares.

Though Summers would later discover he was living with OCD, he was determined to “never let OCD affect my life when I was performing.”

“I was not going to work so hard my entire life to get to where I finally wanted to go and say, ‘Hey, I’m not pouring slime on me. I’m not getting messy. No, no, no, no, no.’ So it didn’t affect me at all. Now, the only thing it did was when I would get messy, I would go backstage and I had a shower in my dressing room, and I would take a shower and put on a new outfit. But I think any host who was in that situation would do the same thing,” he says.

Summers continued, “But as far as staying away, people say, ‘Oh, I was miserable.’ No, I wasn’t. I defy you to look at any one of those episodes where I was clobbered with some goo and see that I was in pain; I was not in pain. When the camera went off, I could go back to my natural self, but when the camera was rolling, I was having the best time of my life.”

In the four decades since Double Dare first premiered, Summers has hosted many iterations and specials. Not only does he believe the show holds a special place in game show history, but it could still hold its own today.

“Double Dare was a very smart idea from Nickelodeon because they did focus groups and found out that kids had no game show of their own; they were living vicariously through their parents watching Price Is Right and Wheel of Fortune. And so there was a game that was hot on the playground at the time called Truth or Dare, and they decided to add some mess with physical challenges, and I just think the combination of questions, but if you can’t answer them, you can do a challenge and in the process get messy,” he explains.

“And kids used to get reprimanded if they got messy and go to their rooms and have to do more chores. We were rewarding kids for getting messy, sending them to Space Camp, giving them prizes,” Summers noted. “And I think it’s exactly what the doctor ordered back at that time. And I think if you brought it back today the proper way, kids today would love it.”

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Originally published: October 06, 2026.

Additional source: Parade.

Follow NickALive! on Twitter, Reddit, Instagram, Facebook, Google News, Tumblr, via RSS and more for the latest Classic Nickelodeon and NickRewind News and Highlights!

Marc Summers & Friends’ 40 Year Double Dare Reunion Announced

This October will mark the 40th anniversary of the legendary Nickelodeon game show, Double Dare, and to celebrate, Marc Summers, the original host of Double Dare, along with the show's original crew, Robin and Harvey, will be heading back to the show's roots by hosting the Marc Summers & Friends’ 40 Year Double Dare Reunion in Philadelphia, Pennsylvania!

Marc Summers & Friends’ 40 Year Double Dare Reunion

Taking place just blocks away from WHYY's Forum Theater, where the first episodes of Double Dare were taped before production moved to Nickelodeon Studios in Orlando, Florida, this one-night-only event will invite Gakheads to join the cast and crew behind Double Dare as they recount their favorite moments both on and off camera and get the "Inside Slop" of the groundbreaking series that grew from a small kids’ game show into a global phenomenon… and put Nickelodeon on the map!

"Now, 40 years later, we're inviting YOU to be wined and dined - with slime-themed specialty drinks available from City Winery! - as we dish out the 'Inside Slop' on how TV's messiest game show was made! The cast and crew from DOUBLE DARE will take the stage one last time, to divulge everything from the secret slime recipe to tales of behind-the-scenes shenanigans!"


On Your Marc, Get Set, GO! During the evening, host Marc Summers (and other surprise guests) will randomly pull volunteers from the audience to compete in physical challenges just like the ones you always wanted to play on TV! There might even be some "fabulous prizes"* in store... But be careful! There's a chance things could get a little messy... and we wouldn't want that to happen, now, would we?

The Double Dare 40th Reunion event will take place on Sunday, October 4 at City Winery Philadelphia. Only 300 tickets are available to attend this event, with Stage Premier VIP upgrades available that will put you in the middle of the Splat Zone.

To find out more information about the event and to purchase tickets to attend, visit https://marcsummerslive.com and https://tickets.citywinery.com.

Update (10/17): Couldn't make it? You're in luck! A special virtual screening of Marc Summers & Friends' 40 Year Double Dare Reunion, which not only includes the live taping of the reunion but also an exclusive behind-the-scenes featurette, will be available for a limited time from Saturday, October 31! Tickets cost just $25, and are available at https://watch.eventive.org/marcsummerslive/play/6a5fa94ae220f5d605856f9f

Marc Summers & Friends’ 40 Year Double Dare Reunion

Starring Marc Summers with Robin, Harvey, & other special guests!

City Winery Philadelphia presents Marc Summers & Friends’ 40 Year Double Dare Reunion Starring Marc Summers with Robin, Harvey, & other special guests! on October 4th at 7:30pm.

Stage Premier ticket includes a Pre-Show M&G at 4:30 PM!

Join the cast and crew behind DOUBLE DARE as they recount their favorite moments both on and off camera from the groundbreaking series that grew from a small kids’ game show into a global phenomenon… and put Nickelodeon on the map!

Hear firsthand how the DOUBLE DARE live tours expanded from shopping mall food courts to 20,000-seat arenas packed with screaming fans across the country.

Take an exclusive behind-the-scenes look with rare photos and videos never shown on television!

Plus, audience members may be selected to help demonstrate fan-favorite physical challenges and win “fabulous prizes” (gag gifts) LIVE on stage!

This one-night-only event takes place exclusively at City Winery Philadelphia, just blocks from where the very first episodes of the show were taped.

This one-night-only reunion offers an unforgettable opportunity to experience these stories, stunts, and behind-the-scenes memories alongside the original host of DOUBLE DARE himself, Marc Summers.

VIP PERKS

VIP ticket holders will receive the following as a thank-you for supporting this fan-run event:

• Premium “Splat Zone” seating for Marc Summers & Friends’ 40 Year Double Dare Reunion!

• A limited-edition, hand-printed tote bag filled with exclusive goodies, including a magazine-style souvenir program!

• Exclusive access to a pre-show meet-and-greet soirée in City Winery’s concert venue, featuring a live DJ, cash bar, interactive memorabilia museum, and on-stage photo and autograph opportunities with Marc Summers, Robin and Harvey!

[• Request your favorite throwback tracks from our live DJ!]

Date: Oct 04
Doors Open: 6:00 PM

###

From PEOPLE:

Marc Summers Reveals What That Slime Was Really Made of as He Reflects on Double Dare’s 40th Anniversary (Exclusive)

The host of the beloved kids’ game show tells PEOPLE about some of the most unforgettable moments, 40 years later

NEED TO KNOW
  • Marc Summers has hosted many iterations of Double Dare over the years, beginning with the original series, which ran from 1986 to 1989
  • Speaking with PEOPLE, Summers shared the story behind securing the hosting gig and the atmosphere of ‘90s Nickelodeon
  • Summers also revealed the network’s original slime recipe

Marc Summers has nothing but warm memories of Double Dare, 40 years later.

Summers was an up-and-coming stand-up comedian with some hosting experience when the Nickelodeon game show opportunity came up. The 74-year-old tells PEOPLE that the opportunity actually wasn’t his own.

“The Double Dare job all happened by mistake. A friend of mine, Dave Garrison, who was a ventriloquist from Indianapolis, had moved to Los Angeles, and we were both trying to grow our careers. I get a phone call one day and Dave says, ‘You know what? I can’t do this anymore. I’m going to move behind the scenes and become a producer. I got a call from a network I’d never heard of called Nickelodeon. They’re doing a kid’s game show. Do you want to go instead of me?’ ” Summers tells PEOPLE.

“I said, ‘Of course. I want to host a game show.’ So when I got there, they say, ‘Dave Garrison?’ I said, ‘Dave’s not here. My name is Marc. Can I go instead of him?’ ” he continued. Not only did the network agree to let him audition, but Summers left feeling like “I’ve nailed this.”

Summers called his agent to convey his excitement, only to be told to temper himself as the agent had “about 10 other clients going” to audition. After three callbacks, Summers was anxious to learn whether he’d gotten the gig. He called one of the creators to ask for an update. Creator Mike Klinghoffer admitted he had reservations about Summers’ lack of experience working with kids, even though he was already a dad.

Summers suggested testing each host with kids and “let the best man win.” Some phone calls and an hour later, Klinghoffer said the idea was a-go.

“So they flew me and this other person — to this day, I don’t know who it is — to New York and we shot. I went first, then they threw me out of the studio, brought the other guy in, and two days later they called me and they said, ‘Congratulations, you’re the host of Double Dare,’ ” he shared.

The job was life-changing for Summers, who said, “There was never a bad day on the set of Double Dare, whether it was real-life kids who we picked up from Philly or New Jersey or then we shot in New York for a while, and then we shot down in Orlando, but every day was a good day.”

Game show scene featuring a large nose prop and two participants interacting with one lying on the floor and the other holding a microphone
Marc Summers with a ‘Double Dare’ contestant, covered in slime. | Nickelodeon

Summers even got used to the network’s signature slime, which was heavily featured in the show’s physical challenges. He explained, “People always want to know what the slime was. Well, the insurance people back in the day said if the slime gets in the kids’ mouths, it has to be edible.”

“The original recipe was vanilla pudding, applesauce, green food coloring, and a little oatmeal to thicken it up,” he revealed. “When we brought it back the last time, when I was exec producing and a sidekick to another host, they had a new formula to slime, and when we went in there, you could build the viscosity, the thickness, the thinness. Do you want it to sort of slowly drip down? Do you want it to drip down fast? And I’m assuming it’s still edible, ‘cause if the kids got it in their mouth, it had to be edible, but it just didn’t look the same and it didn’t smell as good.”

Summers hosted Double Dare from 1986 to 1989, followed by Family Double Dare from 1990 to 1993, with various specials and reinventions that followed. Altogether, he hosted over 500 episodes of the show and admitted that he has a favorite that stands out.

“Favorite show I ever did on Double Dare, and we did originally 525 and then there’s been other versions that I’ve done, [was when] we did Super Slop-a-Mania and we had Bobby the Brain Heenan with Gorilla Monsoon. And they were huge performers with the WWF at the time, before it became the WWE, and they just were good,” he recalled. “They were entertaining, they were fun, they were funny, the kids loved them, and it stands in my mind as perhaps the best show we ever did.”

The memories are as sweet as ever as Summers prepares to host a special celebration this month, honoring 40 years of Double Dare.

“I cannot believe that we’re celebrating the 40th anniversary of Double Dare. I mean, I was 34 years old, 35 when we started this thing, and here we are making a celebration. I figure this is the last time we’re going to be doing this. In 10 years, if I’m still around, I’ll be 85. I don’t know if I’ll be able to walk at that point. I mean, I try to look after myself, take care of myself... but who knows what the future brings,” he shared.

“I figured this is the last time we get the whole gang together, so all of our producers or most of them. Harvey, our announcer, Robin, my sidekick on the air, we’re all getting together, and we’re going to have an audience of 300 people at City Winery,” he said of the Philadelphia-based reunion. “And we’re going to play physical challenges, we’re going to have slime, we’re going to show them clips that they probably have never seen or don’t remember seeing, and I think it’s going to be a fun 90-minute show of going back in time and reliving your childhood.”

###

Marc Summers on “Double Dare” 40th Anniversary

Adam Wurtzel spoke with “Double Dare” host Marc Summers about the upcoming 40th Anniversary of the iconic Nickelodeon game show. Watch on WCCB Charlotte: https://www.wccbcharlotte.com/2026/09/08/marc-summers-on-double-dare-40th-anniversary/

To celebrate the milestone, a pay-per-view event will be filmed before a live audience in Philadelphia called “Marc Summers & Friends: 40 Year Double Dare Reunion,” which will be available on October 31st.


Marc Summers Talks ‘Double Dare’ & Show’s Legacy 40 Years After its Debut

What To Know

  • Marc Summers reflects on the enduring legacy of Double Dare as the show marks its 40th anniversary.
  • A sold-out live reunion event in Philadelphia, featuring original cast and crew, will celebrate the milestone.
  • Summers expresses pride in Double Dare’s impact on children’s television and cable TV, while noting challenges in reviving the show due to shifting industry priorities.

Green slime, messy physical challenges and obstacle courses proved a recipe for success when Double Dare hit the airwaves October 6, 1986. However, one would argue the most important ingredient for the beloved Nickelodeon show’s enduring longevity has been Marc Summers. The longtime host, who is now 74, brought a fun energy to each episode as the kids were given freedom to let loose. Summers’ relatable approach to the young contestants was different from the norm where adults would maybe use a more condescending or belittling tone elsewhere. 

It’s this cross-generational bond that has continued on as Double Dare celebrates its 40th anniversary. To mark the occasion Summers will host a one-night-only live reunion at the City Winery Philadelphia, near the iconic series’ original taping studio at WHY-TV. Joining him for the festivities are the original cast and crew including announcer John Harvey, production assistant Robin Russo, and composer Edd Kalehoff. The fun trip down memory lane will feature live physical challenges, musical pies, archival footage, and of course, that wonderful green goo. 

The venue has already sold out for the Marc Summers & Friends’ 40 Year Double Dare Reunion show on October 4, but fans can also watch via a livestream and video package pay-per-view. Along with access to the event, viewers will also be able to check out a behind-the-scenes featurette from October 31 through December 31. Double Dare’s original run ended in 1993 after almost 500 episodes. In the years since, there have been a few incarnations of the iconic family game show, including a revival that last aired in 2019.

Ahead of all the shenanigans, we caught up with the TV veteran about the show’s legacy and favorite memories.

Talk a little bit about what went into putting on this reunion and your decision to run it as a pay-per-view. 

Marc Summers: Well, the 40th anniversary was something I never really thought anybody would care to see. And then this gentleman  [EP C.J. Malmis] who has been a friend of mine for years contacted me when I was exec producing Dinner Impossible and Restaurant Impossible. He was saying we should do this 40th anniversary, and that’s what we’re doing. We were sort of shocked, at least I was, that it sold out so quickly at City Winery in Philadelphia. And then we thought, well, we were getting a lot of nasty emails from people saying, “Well, we can’t get to Philadelphia, and even if we could, it sold out.” That’s when we came up with the pay-per-view idea because we had fans all across the country. With only 300 seats, tickets sold quickly. They wanted to be a part of it. And I’m thrilled all these years later, people who are now in their 50s care that this thing exists and that they want to be a part of it.

What can you tease about what is planned? 

In my opinion, this is the last time we’ll ever be doing something like this. I’m going to be 75 years old in November, and 10 years from now at 85. Who knows if I’m going to be here and what shape I’m going to be in. So in my mind, this is kind of the last deal .Needless to say, we’re going to do a lot of physical challenges and try to get people messy. That’s the question we get asked, “Is there going to be slime?” And of course there is. I also hosted another show called What Would You Do? And in that show we did a thing called Musical Pies, which was. musical chairs, except if you didn’t find a chair, you have to hit yourself with a pie.

We’re going to be doing that as well. So we’ll be going through the audience, grabbing a lot of people. There’s a video that we pulled up that I don’t think either people have seen, or maybe they don’t remember it if they have seen it. And of course, our announcer Harvey is going to be there. Robin will be there. And the people who put it together, our producers were coming.  Michael Klinghoffer, Dana Calderwood, Alan Silberberg , who was our head writer, will be there. We’ve all got stories. I don’t think there’s going to be any problem filling, you know, 90 minutes for this program.

What do you remember about when you got the hosting gig for Double Dare during those early days of filming? 

Well, I always wanted to host a game show when I was 33 years old. I kept getting jobs, but they never came through. So when I got that, I was thrilled. I had no idea about the facilities. When I got to WHYY-TV , which was the PBS station, I was surprised how tiny it was. And my question is, “Gee, how are we going to shoot this?” But Mike Klinghoffer, who put the whole team together and was the initial director and then handed it over to Dana. But Philadelphia has some of the best tech crews. Our camera guys were absolutely amazing and creative and thought on their feet and came up with stuff that we could have never thought of. And so the first day was rough. We spent eight hours trying to get one episode in the can, and it took us eight hours to get one episode in the can because we kept screwing things up. But then we got up to doing six episodes a day, first in Philly, then we moved to New York, then back to Philly. And eventually they built the next studios in Orlando. So once we got it running after the first 65, it worked so smoothly. It was unbelievable.

Was there a moment you knew this show was different?

You never know because we were doing little shtick things. I grew up watching Soupy Sales, who was sort of my childhood idol in kids’ television. He always did jokes for the adults, and we were doing that as well. The thing that came up was, through research, the kids had something called playground talk. And they would go out in the playground that day and say, “I saw this show where people jumped into 5,000 pounds of baked beans, and then they got a trip to space camp.” Oh, what’s that? And so they started going to people’s homes who had cable. Not everybody did back in the day. I was slapped on the back in a positive way because I got kids to tell their parents to buy cable and that got Nickelodeon into more homes so more people saw us. So it’s just the whole process, but when you’re doing it, you have no idea if it’s going to be a success or not. At the time, UHF TV was gigantic. It was Facts of Life and Diff’rent Strokes that were leading the way. And all of a sudden, their ratings disappeared. They couldn’t find out why, and it was because they were going to Nickelodeon.

You see the adults and kids want to watch together, which is fun. When you look back at these 40 years, what stands out as a memorable moment? 

My favorite show that we did of all time was Super Sloppy Double Dare with Bobby “The Brain” Heenan and Gorilla Monsoon. It just was a magical time. I knew Heenan from back in the day, being from Indianapolis, and that’s where he was from. I wanted to be anywhere around performance, and they had a place called Starlight Musical. I was an usher there, and Bobby worked there. He also worked at the Coliseum selling refreshments, and then he slowly got into wrestling. I don’t think there was a bigger personality, a funnier guy, and a nicer guy than Bobby “The Brain” Heenan. I had no idea how intelligent Gorilla Monsoon was. He had a couple of degrees from colleges, and these guys knew how to perform and produce. And as we got ready to do the obstacle course, they said, “Do you mind if you get messy?” They asked and I said, “Whatever you want to do.” So at the end, they picked me up and threw me through a vat of chocolate, and there was no bigger honor than to have those two guys pick you up. I must have weighed an ounce to those two massive men. That one stood out.

We also kicked off on the Fox Network, primetime on Saturday night. I don’t think many people even knew that or remember that. And we got it into a celebrity version. And we had one of our first shows where it was “Weird Al” Yankovic against Lou Ferrigno. That was another thing. Lou came in and said, “I’ve got an earache and I don’t know how well I’ll do.” And the whole point is people wanted to see physical challenges. And every question we asked, Weird Al knew the answer.I said to him, “How do you know these weird facts?” And he said, “Hey, man, that’s my gig.” And, you know, during the commercial break, we stopped and wrote harder questions, hoping to get him to go to a physical challenge. He finally did. But those kinds of moments sort of stick out in your mind.

Beyond the original Double Dare, there were also other versions like Double Dare 2000. What did you make of the other interactions?  

Well, you know, we did Double Dare, we did Super Sloppy Double Dare, we did Family Double Dare. Those all worked beautifully. In the year 2000, they thought I was too old, so that was 26 years ago. I was basically 50 years old. I guess for a kid’s network, maybe I was. So, a very talented gentleman by the name of Jason Harris was the host of that show, and he did a really good job. For whatever reason, it just didn’t connect with that next generation. Who knows why? I kind of have a feeling they tried to do something different to stand out, and they did something called the Triple Dare Challenge, which was a waste of time because it took you 15 minutes to explain it. And then if they said no, you haven’t advanced the game. The kids in the audience want to see action. They want to see slop, so that didn’t help that at all.

When we brought it back the last time, it was the same deal. “You’re too old.” So, they brought in an influencer, a term I hate more than life itself. It never connected for whatever reason, and the thing that’s fascinating about that is, [Liza Koshy]  got sick one day. They said, “Could you take over and host the show?” And I said, “Sure.” And they said, “How much rehearsal do you need?” And I said, “None.” They asked, “How can you do it without any rehearsal?” I said, “I did over 500 shows. You want me to give you the rules? I’m going to ask you a question. If you don’t know the answer, it’s all in my head..” So for whatever it is, the audience liked what I did, and with all due respect to the other hosts, it just kind of never connected with them.

Have you been asked to do the show again considering the buzz of this reunion show? With social media so big, I feel like we’re at a different time where people want to see this stuff again, even from a nostalgia standpoint.

They’ve said online they want more for sure. Unfortunately, Nickelodeon doesn’t listen. The only thing Nickelodeon’s doing right now is SpongeBob Squarepants. They got rid of their development department. So they do SpongeBob. Pretty much nothing else. And would it make a great idea to do it? Yeah. But are they going to do it? Probably not. CBS actually now owns Double Dare, which is fascinating to me. We’ve been in conversations about growing it. But once again, they don’t want to do the show the way I think it needs to be done. 

The best show would be to bring back teams that were originally on the show when they were 11, 12, 13. Now they’re, you know, 49, 50, 51. And the team that lost said, “I want to try it again. I want to see if I can beat them and see if we can beat that team or does the other team win again.” And I think that’s where it is. But you know, every game show now starts with, we have to have a hundred contestants. No, you don’t. You have to have, you know, three or four, but not a hundred. So, I’m not sure that even if they did bring it back with the people in the industry now who think they know better than the people who actually started all this stuff, I’m not sure it would work.

You mentioned What Would You Do? earlier. Why do you think that show didn’t last as long or have the same durability?

We did 90 episodes. I never liked the show. I never got it. The exec producer initially was a guy where we used to fight like cats and dogs. I didn’t necessarily agree with some of the thoughts he had. We brought on another gentleman, Bo Kaprall, who changed it a bit. It’s hard to say why it didn’t work so much. Some people say to me they liked What Would You Do? better than Double Dare. There’s that group of folks who like that as well. But I’ll tell you, the funny thing is that time marches on, and you don’t realize it. I was stopped the other day, and somebody asked for an autograph, and I said, “Do you want me to say something about Double Dare or What Would You Do?” They knew me from Unwrapped. So there’s a whole generation of people who only know me from the Food Network as opposed to where I started at Nick. It’s fascinating.

You really did find this second hosting chapter  through Unwrapped. You posted asking followers on social media if Food Network should bring the show back with you as host. I say why not?

It makes sense. I mean, with all due respect to them as well, the way they make a Tootsie Roll then is still the way they make a Tootsie Roll today or a Hershey’s Kiss or anything like that. So we could actually do it inexpensively. But once again, I was told that they had no interest. A video gets millions of hits online. It’s on Discovery+, and if you go on, I believe, YouTube, I saw they had 12 million hits for Unwrapped. I’m not sure what I know that they don’t because people stop me all the time and say they’d love to see more of those kinds of things, but the people in charge apparently don’t. It’s just a different time. When you think about syndication, there is no syndication for talk shows. Rosie O’Donnell was hosting Jimmy Kimmel. But daytime TV as it once was is no longer there. She might work on a streaming service, or on a YouTube channel, but as far as coming back in syndication, that’ll never happen.

As a former executive producer of Restaurant Impossible. How did you feel about the network going in a different direction without host Robert Irvine? 

Well, it’s really not the same concept. If you look at the new episodes, it’s not what we were doing. And I don’t know anything about the producers or anything about that stuff. Ours was a hundred percent real. There are some shows that I will not mention that do a certain kind of television, but it’s all fake. And ours was 100 percent real, especially when we did not tell them, knocking on the door and saying, “We’re going to fix your restaurant.” And we had many issues where the people said, “I don’t want you to do that.” And we had to convince them. We did it most of the time. The thought of what goes on today. My son is an exec producer for a lot of television shows, and when he talks through the process and what they’re doing these days, it’s 180 degrees from what it was when I started in TV when I was about 11 or 12 years old in the early 60s. The fact that I’ve been doing this for 50 years, and I’m still sort of dabbling in it, but the way it works is not the way it worked when I started. I don’t want to say I’m set in my ways. I just think the way we did it might have been a little more creative than what’s going on.

What do you think the legacy of Double Dare will be? If they ever did a Nickelodeon Legends like they do with Disney, I would include you in the first class. 

You Can’t Do That on Television introduced slime. I get all the credit for it, but we found out that kids were living vicariously through their parents and watching Wheel of Fortune and The Price Is Right, but they had no game show for themselves. We broke that barrier. There are three people in an article once in a broadcasting magazine about who put cable on the map. First one was Larry King from the show he did on CNN, and then it was Gallagher, because Leo Gallagher was the first guy to do comedy specials, I believe it was on Showtime. And then it was Double Dare. The three of us, that’s a good group to be in. We were the ones who got people to know what cable was and got them to open up their wallets and go for it. So, I’m proud of that. We were the ones that put Nickelodeon on the map. There were many shows after the fact. Certainly, SpongeBob has made them a billion dollars or more, so they certainly have taken the ball and run with it. But we were the ones who opened that door and opened that gate, and it would be nice every now and then to get a pat on the back and be told thank you. But that never happened either.

Is there anything from the set or anything from the Double Dare set that you’ll never part with?

I have an original pair of Reeboks that are still in a box. I have a box of Reeboks from 1986. God knows what those would be worth at this point because the people have said, “Would you sell them?” The answer is no. And we did this one stunt once. We’d shoot six shows in a day, and I would get exhausted and be silly and goofy. And Geoffrey Darby, who was our exec producer, had this little wind-up guy, a man in a boat. He wound him up, and for some reason, he put him on the first obstacle, and it made me laugh. He saw how it made me laugh. So when I’d say, “Harvey, what do they get if they get that?” And he’d give the prize. Then he’d pick up this little man in the boat, and he’d move him to the next obstacle. Towards the end, I couldn’t even talk. I still have that little man in the boat. That’s probably the most precious and dear. Once again, people have said I’d love to buy it, but would never sell it. It just has great memories for me.

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Originally published: June 17, 2026.

H/T: @mkhammer.

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Tuesday, October 13, 2026

‘Hey Arnold!’ at 30: Why a Cartoon About a Boy With a Football-Shaped Head Still Endures 30 Years On

Thirty years after its 1996 debut, Hey Arnold! still stands out for its portrait of childhood in the city, shaped by a diverse neighborhood and a bluesy, funky score.

A photo illustration of Hey Arnold!
(Photo illustration by Tate Rudisill / Los Angeles Times; photos by Paramount Pictures and Viacom International Inc.)

The animated Nickelodeon series’ commitment to authenticity gave young viewers stories about the immigrant experience and unconventional families.

The show continues to have a dedicated fan base years later.

One of Craig Bartlett’s profoundest childhood memories involves a despondent turtle.

In a pet store hidden away in Seattle’s Chinatown, he and his friend Joan came across one in a murky little tank. They took pity on it, bought it and took it home to Portland, Ore. It didn’t come out of its shell for two weeks.

They knew what they had to do. They took the turtle to Square Lake, on Sauvie Island, and laid the turtle down on the shore. The creature’s head emerged from its shell to consider its new circumstances. Slowly but surely, it eased its way into the water and swam away. “We were jumping up and down with a kind of weird joy,” Bartlett recalled to The Los Angeles Times.

Much later, when Bartlett was creating his own animated series, he knew that the poetry of that moment, the strange cinematic magic of it, was something he wanted to tap into.

Thirty years ago, on Oct. 7, 1996, Hey Arnold! premiered on the kids’ cable network Nickelodeon. With its offbeat, lyrical, sometimes painfully honest portrayal of the feeling of childhood in the city, it quickly set itself apart as a new kind of kids’ show, attracting a dedicated fandom that endures to this day.

An urban ‘Little Rascals’

Arnold was a 9-year-old boy with an elongated ovoid head who enjoyed listening to jazz fusion under the skylight of his attic bedroom. According to Bartlett’s show bible, he was “philosophical, idealistic, romantic and hard to rile.” His best friend was Gerald. He was, in short, a chill little dude.

Bartlett had created the character almost a decade earlier, after a stint producing claymation segments for Pee-wee’s Playhouse. Back then, one of the cookie cutters that Bartlett used to cut shapes out of clay happened to be shaped like a football; from the work of his brother-in-law, Matt Groening, he’d also observed the importance of a striking silhouette. The result, in Bartlett’s short claymation films, which played the animation festival circuit and appeared on Sesame Street, was a daydreamer with a football-shaped head.

A cartoon boy holding a baseball bat stands in front of a girl squatting and holding a catcher's mitt with a boy behind her
Arnold was created by Bartlett almost a decade before the show was made, after a stint producing claymation segments for “Pee-wee’s Playhouse.” (Nickelodeon)

In 1993, Nickelodeon was looking to expand its original animation lineup. Toward the end of a long, fruitless pitch meeting with a gaggle of writer-animators, Nickelodeon executive Mary Harrington put on Bartlett’s show reel. She was taken with Arnold right away, and intrigued by Bartlett’s visual style and imagination.

“I liked the way it looked,” she said simply. “I liked the quirkiness of it.”

Bartlett developed the show with Steve Viksten and Joseph Ansolabehere. The trio had previously worked together on Nickelodeon’s Rugrats — Bartlett as a story editor, Viksten and Ansolabehere as writers. (One of Bartlett’s contributions to Rugrats was Angelica’s stoic, wild-haired doll Cynthia.)

Instead of the suburban setting common to so many cartoons — including Nickelodeon’s Doug — Hey Arnold! was set firmly in the inner city, a vibrantly gritty amalgam of Seattle, Portland and Brooklyn. As part of his preparations for the series, Bartlett went on a photo-taking expedition through Seattle and Tacoma, collecting imagery of Pacific Northwest grunge to share with his artists: crumbling walls, fire escapes, water towers.

As for Arnold, he lived with his grandparents in an old boarding house under a freeway overpass. The show’s diverse cast also represented what Bartlett called the “multiethnic gumbo” of American cities. The urban aesthetic was augmented with a bluesy, funky score by composer Jim Lang, inspired by Thelonious Monk, Vince Guaraldi and Beck.

There were fantastical elements, but what set Hey Arnold! apart was how invested it was in depicting what life is like for a fourth grader. The writers had in mind the intimacy of character-driven cinema of the ‘70s and the French New Wave; The Little Rascals was as much of an influence as The 400 Blows and My Life as a Dog. Ansolabehere and Viksten, who had attended UCLA and tried for years to break into Hollywood, would channel their cinematic storytelling instincts into the show.

Bartlett purposely wanted to steer away from the wacky Looney Tunes antics of cartoons like Animaniacs. Instead, the melancholy and ennui of A Charlie Brown Christmas, which had captivated Bartlett as a 6-year-old, would be a major touchstone.

A man in a plaid shirt sitting at a desk covered in paper and drawing pens. A small clay statue of Arnold stands on the desk
Craig Bartlett, the creator of Nickelodeon’s “Hey Arnold!” in 2002. (Paramount / Viacom)

“That was our real rebellion,” Bartlett said, “to make it not a gag show but more kind of moody.”

That stylistic rebellion extended to Arnold as well. “Arnold wasn’t your typical type-A personality lead character,” Harrington said. “He was quieter, he was thoughtful, he was really smart, more creative. But we thought kids could relate to him.”

Writing meetings revolved around discussion of childhood memories and experiences. Hey Arnold! built on the narrative foundation the group had established on their previous show.

“Rugrats opened up to us this idea that you could actually make a show about humans, about the human experience and about childhood,” Ansolabehere said. “The episodes I was proudest of were where you dug something out from inside of your history and your heart.”

Apart from the turtle story, which made it into the episode “Field Trip,” very few of Arnold’s adventures were directly borrowed from Bartlett’s life. Instead, “it was about capturing a feeling,” he said.

Going where no cartoon had gone before

Thematically, too, there was a determination to venture into more adult territory than any kids’ cartoon had previously. The show was frank in its portrayal of, among other subjects, social isolation, economic disparity, the immigrant experience and unconventional families. In “Arnold’s Christmas,” one of the most celebrated and audacious episodes of the show, Mr. Hyunh, a Vietnamese immigrant and resident of Arnold’s boarding house, tells the story of being separated from his daughter Mai during the Vietnam War. In the episode “Helga on the Couch,” Helga’s emotionally neglectful household was on poignant display.

The commitment to authenticity extended to the show’s voice cast, which was made up of child actors. This meant that a succession of actors played Arnold over the years, until their voices changed with the onset of puberty. Spencer Klein, who voiced Arnold in Episodes 61 to 100 and in the first movie in 2002, had the strange experience of joining a show he was already a fan of. “It was a special show,” he said. “It was a show you could really learn valuable life lessons from.”

Klein remembers that the actors recorded in the same room together, allowing them to interact more naturally. “Usually a number of the animators were there too,” he said. “They’d have sketch pads, and we were encouraged to be physically animated when delivering our lines. The animators would incorporate some of the physical aspects of our line deliveries into the animation.”

A cartoon mailman walks to a street corner where two boys are handing out fliers
The show’s voice cast featured child actors, including Spencer Klein, who voiced Arnold in Episodes 61-100 and the first movie. “It was a special show,” he said. “It was a show you could really learn valuable life lessons from.” (Paramount / Viacom)

In a deft bit of narrative maneuvering, Gerald’s voice breaking was written into the show; Jamil Walker Smith played the character for all five seasons and one movie. Similarly, Francesca Marie Smith voiced Helga G. Pataki for the entirety of Hey Arnold! and up to The Jungle Movie in 2017.

Conceived as a relentless bully of Arnold, Helga was one of the richer, more complex characters to come out of a kids’ cartoon in its or any era. At first, Ansolabehere said, the writers struggled with her motivation. They didn’t want a repeat of Angelica, the cackling 3-year-old schemer of Rugrats. Why did she pick on Arnold?

In Ansolabehere’s memory, Bartlett’s then-wife, Lisa, overheard the writers’ deliberations and casually suggested, “Maybe she’s in love with Arnold.”

“It was like a light bulb went off,” said Ansolabehere. “We were like, that’s it. That’s young love. When we don’t know what to do with it.” In minutes, Bartlett had sketched the makeshift shrine that Helga builds for Arnold in her closet.

Helga’s unrequited love for Arnold became one of the driving forces of the show. “She was a sort of villain who you related to and rooted for,” said writer Rachel Lipman, who joined the show as the first season was coming together. “However much she tortured Arnold, she was far more tormented herself on the inside. She also had this unending internal conflict — she really didn’t want to be in love with Arnold … but she just couldn’t fight the feeling. I hadn’t seen a show where the unrequited love this girl felt for a boy got to be explored to such deep levels.”

A pair of cartoon boys in black suits look at a girl in a pink dress standing beside the open door of a bus
Arnold, Gerald and Helga, who was voiced by Francesca Marie Smith. Helga’s unrequited love for Arnold became one of the driving forces of the show. (Paramount / Viacom)

It didn’t hurt that Smith gave the performance of a lifetime, putting her heart and soul into the melodramatic contradictions of the character, antagonizing Arnold one second and swooning over him the next. Smith’s firecracker performance inspired the writers to give Helga even more to do.

Smith remembers, even as an 8-year-old, feeling very strongly that she didn’t want to sit down while recording. “It was important to me to get the full power of my voice, the physicality of it,” she said. “I certainly remember that after a couple hours of recording, I would just absolutely crash. It’s amazing to me today how much energy I poured into that microphone.”

In 2024, Smith revealed that she was living with the debilitating effects of multiple sclerosis. After a major relapse, and at Bartlett’s urging, she set up an online fundraiser to ease the financial strain of medical treatment. The page was shared widely among Hey Arnold! fans; Bartlett also helped raise funds by auctioning off original Hey Arnold! cels and hand-painted backgrounds.

It was an indication of the warm and tender feelings viewers still had for Helga and “Hey Arnold!” that Smith’s funding goal was surpassed in a matter of days. “No one is stronger than Helga G. Pataki,” one Reddit user wrote.

“It made such a real impact,” said Smith, emotional at the memory of it. “I’m so grateful.”

Still groovin’ after all these years

The fandom for Hey Arnold! hasn’t wavered and remains as strong as ever three decades later. There have been 10 vinyl pressings of Hey Arnold! music tracks since 2020. More recently, the show’s composer Jim Lang and his group, the PS 118 All Stars, announced a string of concert dates, playing music from the show around the country, with Bartlett as a special guest vocalist.

Bartlett has also been approached by Paramount Global Publishing to write a novel version of his Helga spinoff idea The Patakis and is currently in talks about a Hey Arnold! graphic novel.

The concerts are a great showcase of Lang’s groovy, down-tempo tunes —  Hey Arnold! undoubtedly turned a bunch of young viewers onto jazz — but they’re also a chance for millennial fans to bask in their memories.

Juan Escalante, who attended a concert in August, was transported right back to his childhood bedroom in Venezuela, “when I wished I had a cool room like Arnold’s!”

“Hey Arnold! felt like a kids’ show that allowed kids to see themselves,” he said, “and their imaginations reflected back at them.”

Stream Hey Arnold! The Music, Vol. 1: https://nickelodeon.lnk.to/HeyArnold_Vol1

From TODAY:

As ‘Hey Arnold’ Turns 30, Its Creator Reflects On Show’s Portrayal of Real, Raw Topics

“Everyone was trying to figure out how to make their cartoon have its own unique corner,” showrunner Craig Bartlett says. “And for me, it was emotional authenticity.”

Between its iconic jazzy saxophone intro music, the wacky personalities at P.S. 118 and Football Head’s teenage dream of a bedroom, “Hey Arnold!” has charmed millennials for decades, uniting ‘90s kids of all backgrounds.

But ask anyone for the most memorable part of the Nickelodeon program and they’ll likely point to the show’s depth — the episodes that bore into loss, the struggle to fit in and the undeniable complexity of childhood.

As fans wrap their minds around the show’s 30th anniversary in October, creator Craig Bartlett is reflecting on the enduring love for “Hey Arnold!,” particularly for the cartoon’s refusal to shy away from the raw and real. Bartlett tells TODAY.com that it’s all been rewarding as that’s exactly what the show set out to do.

“You know, everyone was trying to figure out how to make their cartoon have its own unique corner, where it was different from everything else,” Bartlett says. “And for me, it was emotional authenticity.”

Anchored around friendly fourth-grader Arnold Shortman, the show, which premiered on October 7, 1996, ran for five seasons across nearly eight years. While the program had no shortage of laughs, it was the cartoon’s handling of issues like depression, addiction, poverty and more that, many viewers say, made it stand out.

Episode “Arnold’s Christmas” from Season 1, for example, looks into the backstory of character Mr. Hyunh, who, it’s revealed, is a refugee who was tragically separated from his infant daughter amid the Fall of Saigon, the historic event that marked the end of the Vietnam War.

In another episode later on in the series, character Chocolate Boy attempts to get over his addiction to chocolate. As Arnold helps him throughout his journey, Chocolate Boy reveals that his attachment to the candy stems from a beloved nanny he had when he was young, who gave him a bag of chocolate upon her departure from the family.

And who could forget the episode in which the gruff and tough Helga sits down with a school psychologist. It’s through the therapy sessions that it’s revealed that under her hard exterior is a girl from a dysfunctional household who’s felt largely forgotten by her parents. Helga’s obsession with Arnold, the episode shows, goes back to a moment on her first day of preschool. While her parents paid her no mind, leaving her to walk alone in the rain, Arnold, it turns out, is the first to notice Helga that day and display any semblance of kindness to her.

The showrunner explains that the franchise actually started off as claymation shorts that appeared on “Sesame Street.” In those shorts, Arnold was five years old. But Bartlett “grew him up” for Nickelodeon, he says.

"Hey Arnold!" started out as a claymation
"Hey Arnold!" started out as a claymation. Courtesy of Craig Bartlett

“He was meant to be like me when I was little, and I was kind of bored with everything, and a daydreamer that was not present in some ways,” Bartlett says. “By the time we got him into growing him up into ‘Hey Arnold!’ he was a fourth grader who did things with friends, but he still was a dreamer — you’d imagine he had a real kind of freeform imagination, and that was how it started.”

Bartlett says that much of his inspiration was drawn from the 1965 animated classic “A Charlie Brown Christmas.” In it, main character Charlie Brown fails to feel the holiday cheer, despite the warmth and celebration of the season. Bartlett says that the film’s acknowledgement of its main character’s melancholy was deeply comforting to him as a kid.

“I was so affected by ‘Charlie Brown Christmas’ — that he was bummed and he knew he was supposed to love Christmas and be happy, but it wasn’t there,” Bartlett explains.

The iconic voice cast of "Hey Arnold!"
The iconic voice cast of "Hey Arnold!" Courtesy of Craig Bartlett

It’s reflective, he adds, of the sense of “yearning” often felt in those younger years.

“That describes childhood to me. You’re … hoping for cool things, and not necessarily having it,” he says “That, I think, was really key. It was what I was trying to convey.”

Bartlett says that as he created the show, he aimed to reflect some of those heavier emotions that children naturally feel. While many of the topics that were told through the eyes of the show’s characters were often serious in nature, Bartlett explains that he and his staff weren’t worried about whether kids would get it.

“We trusted that kids were living lives like that,” Bartlett says, raising Helga’s story as an example. “Some were living lives like they felt unseen like Helga.”

The show was also one of the first cartoons to feature kids voicing kids. And the young, tween actors at the time who provided the oh-so-memorable voices of the cast, from Lane Toran as Arnold to Francesca Marie Smith as Helga, also inspired much of the writing and injected personality into the characters, Bartlett says.

The storylines weren’t the only aspect that gave the show its authentic feel. Bartlett says that the music from composer Jim Lang was essential to conveying the show’s raw emotions.

“The music went hand in hand. Jim took all those ideas and turned them into really good, bummed-out music,” Bartlett says. “It’s about being bummed. And I just thought Jim, he really intensified that feeling. I can’t picture those episodes without the music.”


Bartlett adds that the freedom that the crew had to experiment with themes and storylines played a big part in bringing those meaningful lessons on screen. At the time, Bartlett says, Nickelodeon essentially gave the group free-reign to play.

“It’s hard to believe that the network let us operate that way, but they did. They just left us alone, mostly to do our thing,” he says.

The moment, he says, was perfect.

“You really got the vibe it was time for us to do our own thing, and that they were really going to let us do it,” he says. “It was just such good times for everybody. Nick was making tons of money, and so they were like, ‘If it ain’t broke, don’t fix.’”

While the show ended in 2004, it got one final curtain call with the 2017 television flick, “Hey Arnold: The Jungle Movie.” Since then, there’s been no shortage of love for the show. Lang has even taken the music back on the road with project PS 118 All Stars, in which the band behind the iconic songs plays the tracks live for audiences across the U.S. Bartlett is a special guest for many of the dates.

Though fans have long called for a “Hey Arnold!” revival, Bartlett says he isn’t certain whether there will be anymore Arnold Shortman stories on our future screens.

For now, he says he’s happy to be joining shows as part of the PS 118 All Stars, comparing the tour experience to that of Mr. Hyunh in the episode “Mr. Hyunh Goes Country.”

“I’m super grateful I got to do 100 half-hours and two movies eventually,” Bartlett says. “If there’s no more Arnold TV or movies, I’m glad that it ended so, so nicely.”

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Craig Bartlett reveals the heart behind ‘Hey Arnold’ and clears up a long standing fan theory

More than two decades after its debut, Hey Arnold! continues to hold a special place in the hearts of animation fans. The Nickelodeon series became known for its memorable characters, emotional storytelling, and a city that felt both gritty and magical. While many viewers still remember Arnold's distinctive football shaped head, creator Craig Bartlett says every design choice was made with purpose. Looking back on the beloved series, Bartlett recently shared the creative inspirations behind the show and addressed one of its most debated fan theories.

Bartlett explained that Arnold's unusual appearance was designed to make the character instantly recognizable. Inspired by advice from Simpsons creator Matt Groening, he wanted Arnold to stand out even as a simple silhouette on screen. The original design began as a clay character with an exaggerated football shaped head, creating a look unlike any other television cartoon at the time. That bold artistic decision helped transform Arnold into one of Nickelodeon's most iconic animated characters and gave the series an instantly recognizable identity that remains popular with audiences today.

The interview also gave Bartlett the chance to settle a theory that has circulated online for years. One of the show's most emotional episodes follows the lonely Pigeon Man, whose mysterious departure led some fans to speculate that the story symbolized suicide. Bartlett firmly rejected that interpretation, explaining that the ending was always intended to be hopeful. In his vision, Pigeon Man simply flew away with his feathered companions to begin a peaceful new life, eventually imagining him caring for pigeons in Paris. By addressing the theory directly, Bartlett reaffirmed the optimistic message that has always been central to the series.

Beyond its memorable characters, Hey Arnold! stood out because of its unique setting. Bartlett revealed that the fictional city was inspired by places that shaped his own life, including Seattle, Portland, and Brooklyn. The result was a fictional neighborhood that blended urban realism with warmth and imagination. Arnold's famous attic bedroom, complete with its skylight and rooftop escape, became one of the show's most admired locations. Bartlett also credited the novels of Gabriel García Márquez as a major influence, drawing on the literary style of magical realism to make ordinary city life feel quietly extraordinary without losing its emotional authenticity.

For Bartlett, the greatest reward has never been the show's popularity but its lasting impact on viewers. He believes children's television carries tremendous responsibility because young audiences often remember its messages for life. Many fans have written to him describing how the series gave them hope during difficult moments and encouraged them to make the best of challenging circumstances. Those heartfelt stories confirm that Hey Arnold! was always about kindness, resilience, and empathy. Years after its original run, the series continues to inspire new generations while reminding longtime fans why its gentle optimism has endured for so long.

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