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Opera

July 2026

  • Jennifer France (Cecily Cardew) and Seán Boylan (Algernon Moncrieff) in The Importance of Being Earnest by Gerald Barry at Garsington Opera.

    The Importance of Being Earnest review – gloriously madcap opera achieves new heights of delirium

    Gerald Barry’s take on Wilde’s comedy is even wittier and zanier in Jack Furness’s hyperactive staging – complete with a grand piano on stilts, a herd of cows and a kangaroo that meets a grisly end
  • Tom Service

    Tom Service on music
    double quotation markImagine a world without Wagner … it’s not easy, but let’s try

    Tom Service
    As the Bayreuth festival turns 150, we look at the composer’s huge and enduring influence, and wonder what might have happened to classical music in his absence?
    • Brian Large obituary

    • Tristan und Isolde review – Wagner in concert performance sees Pappano and the LSO at their finest

    • I Puritani review – Oropesa dazzles in Jones’s engaging Bellini staging

June 2026

  • A performer in a navy tailcoat and top hat gestures energetically at a tea party table with cakes

    From a mad hatter’s tea-party to Tosca and young talent: Opera Holland Park at 30 – in pictures

    Gallery14
  • Rob Mills and Natalie Bassingthwaighte in Waitress

    The show must go on: musical theatre cancellations lead to industry calls for urgent government help

  • A scene from Billy Budd by Benjamin Britten @ Glyndebourne. Conductor, Nicholas Carter. Director,
Michael Grandage. Revival Director, Ian Rutherford. Designer, Christopher Oram. Lighting Designer, Paule Constable.
(Opening 28-06-26)
©Tristram Kenton 06-26

    Billy Budd review – Clayton’s Vere is the devastating heart of vivid staging

  • Meriel Dickinson, mezzo-soprano, for Obits. LARGER SIZE. USE THIS ONE

    Meriel Dickinson obituary

  • Anna Netrebko review – high camp and bel canto brilliance as star soprano shows she’s still the real deal

  • Turandot review – Opera Holland Park celebrate 30 years with Puccini’s grand guignol

  • Giulio Cesare review – nightmarish take on Handel has snakes, sadism and a mummy

  • Alice’s Adventures in Wonderland review – Lewis Carroll’s familiar characters move in from the garden

  • Das Rheingold review – a sure-footed feast as Alberich descends into madness

  • Il Ritorno d’Ulisse review – a sensuous slice of opulence and luxury

  • Lost for years, the music of The Tiger Who Came to Tea author’s mother is heard again

  • L’Orfeo review – Kentridge’s exhilarating creativity animates compelling Monteverdi

  • The Guardian picture essay
    ‘It’s about the power of music and art’: Glyndebourne stages its first ever L’Orfeo – photo essay

  • Pelléas et Mélisande review – luminous semi-staging but Debussy’s elusive opera keeps its secrets

  • Mentors, muses and new music: conductor and composer Ryan Wigglesworth

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