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Film
7 October 2026
The Uprising review – Paul Greengrass turns revolutionary rage into a Robin Hood origin myth
double quotation mark
Will the Zuckerberg, Musk and Altman movies make a dent on tech giant evangelism?
Rory Doherty
The Social Reckoning review – Aaron Sorkin’s jittery sequel with all-new evil puppet Zuckerberg
Eva Marie Saint obituary
Film & Music reader interview
Post your questions for Celia Imrie
Goodbye Warner, hello Skydance: how will the major merger really impact Hollywood?
Scottish film could steal The Jazz Singer’s crown as ‘world’s first talkie’
24 Hour Party People review – daring metatextual paean to the Manchester music scene
6 October 2026
‘Rip it open’: Big Girls Don’t Cry director explores wounds of early love in film festival hit
Eva Marie Saint: the Hitchcock Blonde who outgrew the persona
Eva Marie Saint – a life in pictures
Ranked
Eva Marie Saint’s best films – ranked
Eva Marie Saint, star of North by Northwest and On the Waterfront, dies aged 102
First look review
Artificial review – Luca Guadagnino takes on OpenAI in muddled tech satire
Paramount completes $111bn acquisition of Warner Bros to form new media empire Skydance
‘I’m bringing together women who nourish me’: French film-maker Alice Diop on her debut installation
V/H/S/Mixtape review – murderous puppets pull the strings in mixed bag of gory music-themed mini-movies
Hamlet’s goodbye, the last of Leigh, Birmingham blues and a vampire in Vienna: 12 great films at the London film festival
George Fenton, Oscar-nominated British composer for more than 100 films, dies aged 76
‘We got that bad guy and took him down!’ Jaclyn Smith on the fun, friendship and frustration of Charlie’s Angels
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