The New York Times

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The Condé M. Nast Galleries Open at The Metropolitan Museum of Art

The New York Times' Vanessa Friedman reported on the opening of the 12,000-square-foot Condé M. Nast Galleries in the Costume Institute at the Metropolitan Museum of Art.&nbsp;"Created by Miriam Peterson and Nathan Rich of the architecture firm Peterson Rich," Friedman writes, "which also designed the exhibition, the galleries have been conceived to fit seamlessly into the existing semiology of the museum. They are floored in white granite, replete with classic pedestals and platforms, and bathed in a soft glow (since fabric is too fragile to be exposed to daylight, this has been created by recessed uplighting). It’s as if the new galleries had always been there; as if fashion had always belonged."

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Vogue Arabia and GQ Middle East Join Condé Nast Owned and Operated Portfolio

Manuel Arnaut and Amine Jreissati appointed to lead titles





<a href="https://www.voguearabia.com/">Vogue Arabia</a> and&nbsp;<a href="https://www.gqmiddleeast.com/">GQ Middle East</a>&nbsp;have joined&nbsp;<a href="https://www.condenast.com/">Condé Nast’s</a> owned portfolio operations in Dubai, alongside&nbsp;<a href="https://www.admiddleeast.com/">Architectural Digest Middle East&nbsp;</a>(AD) and&nbsp;<a href="https://www.cntravellerme.com/">Condé Nast Traveller Middle East</a>. To lead the titles,&nbsp;Manuel Arnaut and&nbsp;Amine Jreissati have been appointed Heads of Editorial Content for&nbsp;Vogue Arabia and&nbsp;GQ Middle East, respectively, and will begin publishing across digital platforms soon, with print to follow later this quarter.&nbsp;Thomas Khoury, the company’s Managing Director of the Middle East region, led the transition for both titles, having previously been published under license since 2016 (Vogue) and 2018 (GQ).&nbsp;From Anna Wintour, Chief Content Officer, Condé Nast“We are fortunate that Manuel and Amine, two incredibly gifted and creative editors, will be leading our titles. Their taste, judgment and journalistic experience are a huge benefit and the way they have elevated the contributions of artists and designers in the Middle East to the global stage has been tremendous. We are thrilled that they will guide and grow Vogue Arabia and GQ Middle East.”About&nbsp;Manuel Arnaut, Head of Editorial Content, Vogue ArabiaArnaut has been at the helm of Vogue since May 2017 and under his leadership, the brand has solidified its role as a leading fashion authority through its content across digital and social platforms and live events. With more than 15 years of experience in media, Arnaut previously held senior positions at AD Middle East, where he oversaw the launch of the magazine in 2015 as editor-in-chief. He started his career with Vogue Portugal and GQ Portugal.&nbsp;About his appointment Arnaut offered, “With this transition, Vogue Arabia will continue to be the leading title in the Arab market, while connected to a global network that broadens the reach of our publication. Through qualitative print, engaging digital, and blockbuster events, we will amplify and prioritize Arab voices and fashion, now even more exposed to a broader audience.”&nbsp;About Amine Jreissati, Head of Editorial Content, GQ Middle EastJreissati, a seasoned creative director and stylist, has worked with internationally renowned labels, talent and publications for over 15 years, most recently at Vogue Arabia as fashion director. Prior, he spent nearly a decade as a stylist for many leading titles in the region including SavoirFlair, Marie Claire Arabia and Sorbet. In 2017 Jreissati launched his own label, Boyfriend.&nbsp;About his appointment Jreissati added, “Joining Condé Nast is an opportunity to shape the cultural conversation with creativity, precision, and insight. My vision is to redefine modern masculinity, blending timeless style with forward-thinking narratives that challenge, inspire, and elevate. GQ Middle East will be the definitive voice for the sophisticated, conscious, and dynamic men in our region today; back to its true meaning.”&nbsp;

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Condé Nast India Opens a New Office In Bengaluru 

<a href="https://www.linkedin.com/in/roger-lynch-70456513/">Roger Lynch</a>, CEO of <a href="https://www.linkedin.com/company/conde-nast/">Condé Nast</a>, officially inaugurated the vibrant new Bengaluru. He was joined by <a href="https://www.linkedin.com/in/sanjay-bhakta-1991152/">Sanjay Bhakta</a>, Chief Product &amp; Technology Officer, and <a href="https://www.linkedin.com/in/sandeeplodha/">Sandeep Lodha</a>, Managing Director of <a href="https://www.linkedin.com/company/conde-nast-india/">Condé Nast India</a>, to mark this exciting milestone.&nbsp;

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Condé Nast Names Elizabeth Herbst-Brady as Chief Revenue Officer

NEW YORK (August 16, 2024) – Condé Nast today announced the appointment of Elizabeth Herbst-Brady as its new chief revenue officer. She will officially assume the role at the end of September. Herbst-Brady has led revenue and advertising teams throughout her career at some of today’s largest media and technology brands including Verizon, Snap, Viacom and most recently Yahoo! where she was chief revenue officer and general manager, Yahoo DSP, driving profitability and growth during her tenure.As chief revenue officer of Condé Nast, she will be responsible for the expansion and diversification of the company’s advertising and consumer revenue. The role will bring these teams together for the first time in the company’s global operating structure. Throughout her career Herbst-Brady also held leadership positions at MAGNA Global, 20th Television, Starcom Worldwide, Universal Television and Fox. “As someone who thrives in the rapidly evolving sectors of media and technology, Elizabeth is perfect for Condé Nast and the opportunities that stand before us,” said Condé Nast’s CEO Roger Lynch, to whom Herbst-Brady will report. “She has the foresight and fortitude to meet the moment, and will undoubtedly drive new revenue growth opportunities to support the expansion of our titles so that we can reach even larger audiences. We are absolutely thrilled to welcome Elizabeth to our team.”Regarding her appointment, Herbst-Brady added, “I’m thrilled and honored to join this incredible team and to be part of Condé Nast’s exciting future. For decades, I’ve admired and have been an avid consumer of so many of the titles. Today, there’s nowhere else I’d rather be than at the epicenter of such iconic brands that continue to define our culture.” Herbst-Brady holds a BA from Harvard University. She serves as a board member for the Gilder Lehrman Institute of American History, the Ad Council, the Female Quotient and IAB.

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Vogue appoints Raul Martinez as Global Creative Director

Vogue Veteran Returns to Oversee Creative Strategy Across all Platforms

Vogue today announced that Raul Martinez will serve as the title’s new global creative director. The appointment marks Martinez’s return to Vogue from Victoria’s Secret and Co., where he held the role of head creative director since 2021. His appointment is effective on February 5th, and he will report directly to Anna Wintour, global editorial director of Vogue and chief content officer of Condé Nast. In his new role, Martinez will oversee creative direction for the title globally and help guide Vogue’s visual approach on all platforms. He will also play a key role in supporting Vogue’s video efforts, ensuring video is seamlessly embedded across all storytelling, including short form and social clips, news-driven reels, and longer features. &nbsp;Martinez first joined Vogue as an associate art director in 1988 and left the publication in 1996 to co-found AR New York, a creative and branding agency that created campaigns for Valentino, Calvin Klein, YSL, and more. He returned to Vogue in 2009 and was named Condé Nast’s chief creative officer in 2015, where he shaped the creative focus of the company. Martinez has also received a National Magazine Award for photography. &nbsp;“Raul knows Vogue inside and out, and is not only a brilliant, creative thinker, but a great leader and wonderful colleague,” said Wintour. “I know I speak for the entire team when I say I am so thrilled to have him back.” &nbsp;“Vogue has always been a home for showcasing new voices and talent. One of the things I am most excited about is using our platform to introduce up-and-coming creatives to the world, as well as to mentor young artists,” said Martinez. “I also look forward to imagining new ways to tell stories – whether in-book, on social, digital, or video. And, of course, I am so excited to be returning to Condé Nast and to once again partner with Anna.”

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Glamour’s Samantha Barry Sits Down with Amal Clooney, Melinda Gates and Michelle Obama 

Glamour’s Editor in Chief Samantha Barry&nbsp;traveled to Africa with&nbsp;Amal Clooney,&nbsp;Melinda Gates and&nbsp;Michelle Obama&nbsp;for a&nbsp;<a href="https://www.glamour.com/story/exclusive-amal-clooney-melinda-french-gates-and-michelle-obama-on-their-fight-to-end-child-marriage">special report</a> and&nbsp;<a href="https://www.glamour.com/preview/story/65731e71213fbe5697f7957d?status=draft&amp;t=1702396288146">interview</a> on their fight to end child marriage.

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GQ 'Men of the Year' Celebrations Begin

British GQ and GQ U.S.&nbsp;hosted the first Men of the Year celebrations of 2023 in London and Los Angeles.<a href="https://www.gq-magazine.co.uk/">U.K. honorees</a> included&nbsp;Jeremy Allen White, Ncuti Gatwa, Boygenius and&nbsp;Andrew Scott, and&nbsp;<a href="https://www.gq.com/gallery/gq-men-of-the-year-2023-red-carpet-live-celebrity-arrivals">U.S. honorees</a> included&nbsp;Jacob Elordi, Kim Kardashian, and&nbsp;Travis Scott, with special guest&nbsp;Tom Ford.GQ Men of the Year was covered by&nbsp;<a href="https://variety.com/2023/film/news/gq-men-of-the-year-party-post-sag-strike-1235792787/">Variety</a>,&nbsp;<a href="https://www.dailymail.co.uk/tvshowbiz/article-12754421/Maisie-Williams-GQ-Men-Year-Awards.html">Daily Mail</a>,&nbsp;<a href="https://people.com/travis-scott-astroworld-tragedy-fans-like-my-family-gq-men-of-the-year-8402074">People</a>,&nbsp;<a href="https://www.hollywoodreporter.com/movies/movie-news/andrew-scott-all-of-us-strangers-james-bond-villain-1235644934/">The Hollywood Reporter</a> and&nbsp;<a href="https://pagesix.com/2023/11/16/photos/gq-men-of-the-year-awards-2023-jeremy-allen-white-boygenius-andrew-scott-more/">Page Six</a>.GQ Men of the Year will also take place in India&nbsp;on November 22, Mexico&nbsp;on November 23, Japan&nbsp;on November 28, Italy&nbsp;on November 29, France, Germany and Spain on&nbsp;November 30, and China on&nbsp;December 7.

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GLAMOUR 'Women of the Year' 2023

GLAMOUR ‘Women of the Year’ celebrations took place in&nbsp;<a href="https://www.glamour.de/woty">Germany</a>,&nbsp;<a href="https://www.glamour.es/galerias/invitados-premios-glamour-women-of-the-year-2023">Spain</a>,&nbsp;<a href="https://www.glamour.mx/galerias/women-of-the-year-2023-alfombra-roja-en-vivo">Mexico &amp; Latin America</a>,&nbsp;<a href="https://www.glamourmagazine.co.uk/gallery/glamour-women-of-the-year-awards-2023-red-carpet">U.K.</a> and the&nbsp;<a href="https://www.glamour.com/gallery/glamour-women-of-the-year-2023-red-carpet">U.S</a>, honoring extraordinary and inspirational women from a variety of fields, including entertainment, business, sports, music, science, medicine, education and politics.Along with global honorees America Ferrera and Millie Bobby Brown, local honorees included:&nbsp;U.S.Quinta Brunson, Brooke Shields, Mary J. Blige, Geena Rocero, and Selma Blair.Coverage included&nbsp;<a href="https://people.com/hillary-clinton-america-ferrera-friendship-8399396">People</a>,&nbsp;<a href="https://pagesix.com/2023/11/08/style/selma-blairs-glamour-women-of-the-year-awards-2023-outfit-had-secret-message-for-disability-advocates/">Page Six</a> and&nbsp;<a href="https://www.dailymail.co.uk/tvshowbiz/article-12723505/Alec-Baldwin-Hilaria-Glamour-Women-Year-Awards.html">Daily Mail</a>.&nbsp;Mexico &amp; Latin America&nbsp;Eva Longoria, Karla Souza, Kenya Os, Victoria Volkova,&nbsp;Barbara Lopez and Denisse Guerrero.Coverage included&nbsp;<a href="https://twitter.com/radio_formula/status/1723013446067683334?s=48&amp;t=5claT2d090jdBMuCrOEMTQ">Radio Fórmula</a> and&nbsp;<a href="https://www.elsiglodetorreon.com.mx/noticia/2023/kenia-os-denisse-guerrero-eva-longoria-y-mas-mexicanas-son-premiadas-como-women-of-the-year-2023.html">El Siglo De Torreón</a>.&nbsp;U.K.Lily Allen, Halle Bailey, Georgia Harrison, Hannah Waddingham, Leigh-Anne Pinnock, Olivia Dean, Ariana DeBose, Fats Timbo, and The Lionesses.Coverage included&nbsp;<a href="https://eepurl.us2.list-manage.com/track/click?u=4b3529414ef79e1b3850c49ea&amp;id=48d9cfc6fb&amp;e=ac0b3f181e">BBC</a>,&nbsp;<a href="https://eepurl.us2.list-manage.com/track/click?u=4b3529414ef79e1b3850c49ea&amp;id=227dcd432d&amp;e=ac0b3f181e">Page Six</a>,&nbsp;<a href="https://eepurl.us2.list-manage.com/track/click?u=4b3529414ef79e1b3850c49ea&amp;id=0e1da0d757&amp;e=ac0b3f181e">People</a>,&nbsp;<a href="https://eepurl.us2.list-manage.com/track/click?u=4b3529414ef79e1b3850c49ea&amp;id=0482f683bb&amp;e=ac0b3f181e">E! Online</a>,&nbsp;<a href="https://eepurl.us2.list-manage.com/track/click?u=4b3529414ef79e1b3850c49ea&amp;id=3cbb8a7014&amp;e=ac0b3f181e">Daily Mail</a>,&nbsp;<a href="https://eepurl.us2.list-manage.com/track/click?u=4b3529414ef79e1b3850c49ea&amp;id=7e2e90f50d&amp;e=ac0b3f181e">The Sun</a>,&nbsp;<a href="https://eepurl.us2.list-manage.com/track/click?u=4b3529414ef79e1b3850c49ea&amp;id=254cf7f8c7&amp;e=ac0b3f181e">Yahoo&nbsp;</a>and&nbsp;<a href="https://eepurl.us2.list-manage.com/track/click?u=4b3529414ef79e1b3850c49ea&amp;id=254cf7f8c7&amp;e=ac0b3f181e">Entertainment</a>.&nbsp;SpainNathy Peluso, Silvia Intxaurrondo, India Amarteifio, Milena Smit, Isabel Coixet, Sara García, Desirée Vila, Lola Casademunt and Los Javis.Coverage included&nbsp;<a href="https://s3-eu-west-1.amazonaws.com/kmplus-account-files/2027941/2023/10/27/K222ZsNwJU6OX3shQlJZA.mp4">TVE</a>,&nbsp;<a href="https://s3-eu-west-1.amazonaws.com/kmplus-account-files/2027941/2023/10/27/CqD2cBvMv063oA7KeM7pgQ.mp4">Telemadrid</a>,&nbsp;<a href="https://www.elimparcial.es/noticia/260683/gente-y-tendencias/la-alfombra-roja-de-los-premios-glamour-women-of-the-year.html">El Imparcial</a>&nbsp;and&nbsp;<a href="https://www.epe.es/es/famosos/20231027/nerea-perez-de-las-heras-importante-aparicion-evento-glamour-women-of-the-year-dv-93874832">El Periódico de España</a>.&nbsp;GermanyStefanie Giesinger, Aya Jaff, Alicia Awa, Phenix Kühnert, Luisa Neubauer, Katja Krasavice, Dr. Barbara Sturm, Leigh-Anne Pinnock, Florence Kasumba and Lauren Wasser.&nbsp;Coverage included&nbsp;<a href="https://www.horizont.net/marketing/nachrichten/horizont-vor-9-acht-dinge-die-sie-heute-morgen-wissen-sollten-215687">Horizont</a>,&nbsp;<a href="https://www.tagesspiegel.de/berlin/modezeitschrift-kurt-model-of-the-year-lauren-wasser-verlor-ihre-beine-wegen-eines-tampons-10726357.html">Tagesspiegel</a>,&nbsp;<a href="http://www.buzzfeed.de/news/women-of-the-year-2023-glamour-bilder-fotos-preistraegerinnen-frauen-des-jahres-gewinnerinnen-92652657.html">Buzzfeed</a>,&nbsp;<a href="https://www.bunte.de/stars/stefanie-giesinger-lena-gercke-co-gntm-klassentreffen-bei-award-verleihung-in-berlin.html">Bunte</a>&nbsp;and&nbsp;<a href="https://www.zeit.de/zustimmung?url=https%3A%2F%2Fwww.zeit.de%2Fnews%2F2023-10%2F13%2Fglamour-florence-kasumba-gehoert-zu-den-frauen-des-jahres">ZEIT online</a>.

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Vogue World Takes London

Vogue hosted <a href="https://www.vogue.com/article/how-to-watch-the-vogue-world-london-livestream-2023">Vogue World: London</a>, an exclusive celebration of British arts and creativity at the historic Theatre Royal Drury Lane, broadcasted live to Vogue’s audience around the world.&nbsp;Kickstarting London Fashion Week, Vogue World welcomed an all-star guest list for an opening night at the theater, with 100% of net proceeds from ticket sales going to arts and cultural organizations in London. Over £2 million was donated to British-based arts organizations. Donors to the fund included:<ul><li style="text-align:justify;">Aarti Lohia, Chairperson, SP Lohia Foundation</li><li style="text-align:justify;">Bloomberg Philanthropies</li><li style="text-align:justify;">Christine Schwarzman</li><li style="text-align:justify;">Kering</li><li style="text-align:justify;">Natasha Poonawalla</li><li style="text-align:justify;">Nita Mukesh Ambani Cultural Center</li></ul>The night included musical performances, catwalk shows and theatrical spectaculars with Stormzy, Kate Moss, Naomi Campbell, Christy Turlington, Cindy Crawford, Linda Evangelista, Cara Delevigne, Ashley Graham, Taylor Zakhar Perez, Emily Ratajkowski, Annie Lennox and more.&nbsp;Read more on <a href="https://abcnews.go.com/amp/GMA/Style/vogue-world-2023-sienna-miller-kate-winslet-star/story?id=103198458">ABC News</a>, <a href="https://www.bbc.com/news/entertainment-arts-66808254">BBC</a>, <a href="https://www.nytimes.com/2023/09/15/style/vogue-world-comes-to-london.html" rel="noopener noreferrer">New York Times</a>, <a href="https://www.theguardian.com/fashion/2023/sep/15/vogue-worlds-flurry-of-stars-brings-succour-to-londons-arts-and-hope-to-its-fashion" rel="noopener noreferrer">The Guardian</a>, <a href="https://www.thetimes.co.uk/article/vogue-world-london-met-gala-conde-nast-k2mpcc57w" rel="noopener noreferrer">The Times</a> and <a href="https://www.eonline.com/news/1385587/pregnant-sienna-miller-turns-heads-in-bump-baring-look-at-london-fashion-week">E! Online</a> or watch the full show on <a href="https://www.vogue.com/article/how-to-watch-the-vogue-world-london-livestream-2023" rel="noopener noreferrer">vogue.world</a>

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Condé Nast Appoints Katie Drummond As WIRED's Global Editorial Director

Condé Nast today named Katie Drummond as global editorial director for WIRED. In this role, she will be responsible for overseeing the vision and content across all platforms for the award-winning brand globally, in addition to leading editorial teams in Italy, Japan, Mexico, the U.K and U.S. Drummond joins WIRED from VICE Media Group, where she oversaw all digital publishing and content as senior vice president of global news &amp; entertainment. She will begin her new role on August 28 and will be based in New York. From Anna Wintour, Chief Content Officer and Global Editorial Director, Vogue“Katie is exactly the right editor to lead Wired at a time where the worlds of technology and culture are shifting and colliding every single day. Katie is excited and interested in all of it.&nbsp;She’s driven, direct, a journalist first and foremost, but also a highly original thinker who is full of ideas about how to build new audiences, tell compelling stories, and earn trust. I’m thrilled she’s coming to Wired, which is one of the most important and consequential titles of our rapidly changing moment.”&nbsp; From Katie Drummond“Interning at WIRED in 2009 was an opportunity that kickstarted my entire career. From sitting on the floor of the editor in chief’s office during feature pitch meetings to trying my hand as a blogger for Wired.com, WIRED is where I learned the ins and outs of great journalism,” Drummond says. “To come back as WIRED’s global editorial director is the honor of my career. I can’t wait to get started.” More About DrummondDrummond’s extensive background in online media spans hard news, technology and lifestyle coverage. At VICE, she led the global expansion of VICE News across Latin America, Europe, and Asia, and oversaw all VICE digital brands including Noisey, Munchies, Rec Room, Motherboard, and Waypoint. She also spearheaded successful off-platform audience development, including the growth of original video reporting and the launch of VICE on Twitch. She also led efforts to create opportunities for these brands across, VICE TV and VICE Studios. During her tenure at VMG, VICE’s digital teams were honored with dozens of major journalism prizes, including an Online Journalism Award for innovative work on TikTok and a Peabody award for the series “Transnational.”Prior to VICE, Drummond was deputy editor at Medium, where she oversaw editorial content across politics, wellness, science and technology, and ran the audience development team for Medium’s subscription program. Drummond began her career as a reporter, writing for outlets including The New Republic, New York Magazine, Popular Science, Marie Claire and WIRED, where she covered military research and medicine for WIRED’s Danger Room blog. She then moved on to a managing editor role at The Verge, where she launched their science section, the outlet’s first expansion beyond consumer tech. After that, Drummond served as deputy editor for Bloomberg and helped relaunch Bloomberg.com as a modern, digital destination for global business news. She then went on to executive editor appointments at The Outline and Gizmodo Media Group, where she served as editor in chief of Gizmodo.&nbsp;Drummond graduated from Queen’s University in Canada with a bachelor of arts degree in philosophy before moving to New York in 2008. She is an avid runner and lives in Brooklyn with her husband and their spectacular five-year-old daughter Edith.

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GQ Expands Men of the Year to Three Nights in Los Angeles

GQ returns to Los Angeles for its annual tentpole—this year, bigger than ever with new programming and events, including a screening of Dune: Part Three at the Lucas Museum and Breakouts in Hollywood.

GQ announces its <a href="https://www.gq.com/story/men-of-the-year-announcement">2026 Men of the Year</a>—the first under Global Editorial Director Adam Baidawi—headlined by a new and expanded series of live programming. The trio of events will be held on back-to-back evenings at the newly opened Lucas Museum of Narrative Art, the Sheats-Goldstein Residence in Hollywood, and the Chateau Marmont, marking the most ambitious Men of the Year celebration in GQ’s history.&nbsp;This year’s Men of the Year co-hosts are: Chris Rock, director, writer, and co-star of comedy-drama Misty Green; Andrew Garfield, star of the highly anticipated Artificial; and Matt Damon, whose role as Odysseus in Christopher Nolan’s The Odyssey broke box office records this year.GQ’s Men of the Year covers will roll out throughout the week—<a href="https://www.gq.com/story/chris-rock-men-of-the-year-2026-cover-interview">beginning this morning, with Chris Rock</a>—featuring exclusive conversations, video interviews, and photo shoots from across the country.&nbsp;The co-hosts will be honored alongside GQ’s Director of the Year Denis Villeneuve, whose Dune: Part Three is creating Oscar buzz ahead of its premiere, and Designer of the Year Michael Rider, creative director of Celine.This year will also see the return of Breakouts, an event for the brightest new names in entertainment and culture. For its 2026 return, GQ selected honorees from across Hollywood, new journalism, comedy, and podcasts.From Adam Baidawi, Global Editorial Director of GQ:&nbsp; “This year’s GQ Men of the Year honorees have delivered extraordinary performances and propelled the cultural conversation of 2026. We wanted to meet that creative ambition with some of our own. Expanding to three events in Los Angeles—something brand new to Men of the Year—gives us the space to celebrate their work, get into the ideas behind it, and introduce the talent we think everyone needs to watch next. It’s an ambitious new chapter for a tradition we love.”For three decades, GQ has celebrated its biggest moment of the year with its exclusive Men of the Year party. This year, GQ is amplifying its presence in Los Angeles with three events celebrating the year’s biggest headline-makers:An Evening with Denis Villeneuve | November 10 at The Lucas Museum of Narrative Art GQ will honor its Director of the Year, Denis Villeneuve, with a special evening takeover of the Lucas Museum of Narrative Art. After a champagne reception, the director will appear for a live recording of GQ’s One More Question interview series alongside Senior Special Projects Editor Zach Baron. A VIP screening of Dune: Part Two will follow, leading into the release of the trilogy's finale in December.&nbsp; Breakouts | November 11 at The Sheats-Goldstein Residence For the first time, GQ will host Breakouts of the Year with a house party in the Hollywood Hills. GQ’s 13 Breakouts of 2026 dominated entertainment and news across film, music, television, comedy, and podcasting. GQ will announce its 2026 Breakouts with an editorial feature on November 9. &nbsp; Men of the Year | November 12 at Chateau Marmont Men of the Year returns to the Chateau Marmont, this time with a special emphasis on the intimate Men of the Year dinner. This year, GQ’s cover stars will be honored in filmed toasts delivered by special guests. The Men of The Year party will follow, attended by VIP guests from across the worlds of entertainment, fashion, sports, and culture. Read more on <a href="https://www.hollywoodreporter.com/lifestyle/lifestyle-news/gq-men-of-the-year-2026-chris-rock-matt-damon-andrew-garfield-1236745695/">The Hollywood Reporter</a>.

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WIRED Middle East Brings AI to the Stage

WIRED Middle East hosted RE:WIRED, a future-facing technology conference at Manarat Al Saadiyat in Abu Dhabi. The event opened with a keynote from H.E. Hamad Sayah Al Mazrouei, Undersecretary of the Abu Dhabi Department of Economic Development.Additional notable speakers included H.E. Ruba Al Hassan of Abu Dhabi’s Department of Government Enablement, Nada Al Meqbali of Abu Dhabi National Oil Company, Dr Robert Abouassaly of Cleveland Clinic and Lucas Bellieud of Al-Futtaim Automotive, with discussions spanning<a href="https://us.list-manage.com/T6oZfFdInww?e=2d6fddf5a6&amp;c2id=294356e17974f691fa988f9de4c95bfb"> AI</a>,<a href="https://us.list-manage.com/16mxBClktZl?e=2d6fddf5a6&amp;c2id=294356e17974f691fa988f9de4c95bfb"> robotic surgery</a> and the<a href="https://us.list-manage.com/8XnSF61wdn4?e=2d6fddf5a6&amp;c2id=294356e17974f691fa988f9de4c95bfb"> future of mobility</a>.Watch Carla Sertin, Head of Editorial Content and Thomas Khoury, Managing Director, Middle East, discuss why Abu Dhabi is the right place for this conversation and how journalism can help audiences understand AI on <a href="https://www.youtube.com/watch?v=sypb4c83wH4">Emarat TV</a>.

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Vogue China's Forces of Fashion Finds Its Stage in Suzhou

Vogue China brought its <a href="https://mp.weixin.qq.com/s/1v26wyvZBDoUZytgKR42oQ">Forces of Fashion event</a> to Shishan Culture Square in Suzhou, welcoming guests including actor Liu Yifei, model Natalia Vodianova and Olympic champion freestyle skier Eileen Gu. A waterfront ‘Extreme Colors’ red carpet set the scene for a celebration of fashion and Chinese creativity, alongside performances, a gala dinner and panel discussions.Rocco Liu, Editorial Director of Vogue China, said: “Fashion should be about joy, not rules. That’s the theme we chose for this year’s Vogue Forces of Fashion China. We hope this platform can showcase how people stay curious, passionate and creative amid change, embracing their true selves with confidence. Our deeper collaboration with Chinese cities like Suzhou also opens new doors for Vogue China to strengthen its role in the industry, creating world-class fashion moments that feel closely connected to our culture and way of life.”

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The New Yorker Festival Turns Up the Conversation

<a href="https://festival.newyorker.com/">The New Yorker Festival</a> returned to New York City for a weekend of conversations, performances, and debate. Some of culture’s leading voices joined the title’s writers and editors onstage, including comedian and host Conan O’Brien with David Remnick, actor and comedian Hannah Einbinder with Rachel Syme, actor Parker Posey with Michael Schulman, actor Mahershala Ali with Vinson Cunningham, and actor and filmmaker Ethan Hawke with Emily Nussbaum. The program also featured performances by Pixies, Wynton Marsalis, and King Princess, alongside live podcast tapings, literary discussions and roundtables.Read more on <a href="https://www.vulture.com/article/cole-escola-miss-piggy-movie-details.html">Vulture</a>, <a href="https://www.hollywoodreporter.com/news/general-news/hannah-einbinder-palestine-support-bare-minimum-1236739491/">The Hollywood Reporter</a>, <a href="https://variety.com/gallery/red-carpet-celebrity-photos/the-new-yorker-festival-2026-hannah-einbinder-talks-with-rachel-syme/">Variety</a> and <a href="https://ew.com/mariska-hargitay-interviews-my-mom-jayne-documentary-12194358">Entertainment Weekly</a>.

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GQ India Brings Heroes to Bangalore

GQ India hosted the second edition of <a href="https://www.gqindia.com/content/gq-heroes-2026-day-2-continued-the-celebration-of-indias-most-inspiring-voices">GQ Heroes</a>, a three-day festival at JW Marriott Bangalore Prestige Golfshire Resort &amp; Spa. Set against the backdrop of Nandi Hills, the program&nbsp;featured conversations on individuality, creative expression and Indian storytelling, with actors Huma Qureshi, Sobhita Dhulipala and Ali Fazal, designer JJ Valaya, cricketer Ajinkya Rahane and more. Guests also enjoyed a game of golf, a live performance by songwriter and producer Chegim Durama, and curated experiences designed to foster meaningful connections beyond the stage.

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Vogue Germany Hosts Wellness Retreat

Vogue Germany hosted its first <a href="https://www.vogue.de/artikel/vogue-wellness-die-learnings-und-highlights-vom-ersten-retreat-in-baden-baden">Vogue Wellness retreat</a> at Brenners Park-Hotel &amp; Spa. Over three days, participants joined leading longevity experts—including Dr. Anne Latz, Dr. Luisa Werner, Dr. Emi Arpa, and Dr. Viyan Sido—alongside members of the Vogue editorial team and actress and former Vogue cover star Heike Makatsch, who shared her yoga expertise.The holistic program featured talks, workshops, workouts, masterclasses, and personalized wellness treatments, alongside floating sound baths and meditation. Each day rounded off with dinner and activities including mini golf.The retreat was supported by Augustinus Bader, Douglas, Dove, Falconeri, Jo Malone London, La Mer, Lancôme, LVATE, Range Rover, and RingConn.

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Allure Brings 30 Years of Best of Beauty to Life


Allure brought the Best of Beauty Awards to life through an immersive experience featuring product discovery, sampling, masterclasses and conversations with beauty experts.

Allure hosted its fourth annual Best of Beauty Live Event in New York City, bringing the awards to life through an immersive, consumer-facing experience featuring product discovery, sampling, masterclasses and conversations with Allure editors and beauty experts.&nbsp;Throughout the evening guests had the opportunity to discover Best of Beauty winners firsthand with various experiences from Amazon Beauty, Allergan, L’Oreal Paris touch-up stations, and more.&nbsp;“This year marks an important milestone for Allure as we celebrate 30 years of Best of Beauty,” said Jessica Cruel, Editor-in-Chief of Allure. “For three decades, Best of Beauty has recognized the products, brands and innovations shaping the beauty industry. Best of Beauty LIVE gave us the opportunity to bring that legacy to life, connect with our community and celebrate the incredible creativity and innovation driving the industry forward.”Allure Best of Beauty LIVE has become a signature annual event in New York City, bringing together the beauty industry’s leading brands, emerging innovators and influential voices to celebrate the products and people shaping the future of beauty. The event offers an opportunity to recognize the creativity, innovation and groundbreaking achievements driving the industry forward, while bringing Allure’s trusted Best of Beauty franchise to life through immersive experiences, brand activations and meaningful connections with the beauty community.Allure's Best of Beauty LIVE 2026 is presented by Amazon Beauty and Allē with support from Beauty of Joseon, BOTOX® Cosmetic, DiamondGlow®, EltaMD Skin Care, JUVÉDERM®, KIKO Milano, La Roche-Posay, L'Oréal Paris, OLAY®, Secret, SkinMedica®, and Wella Professionals with wine kindly provided and poured by Silver Oak.&nbsp;

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WIRED Mexico Wins National Science Journalism Award

WIRED Mexico has won Mexico’s National Science Journalism Award in the Video and Multimedia category for the report “The Sea Won’t Wait: Children and Teens in Ensenada Join the Environmental Movement.” The piece was produced by Geraldine Castro, Kevin Zamora, Manuel de León and Rodrigo del Río, and published in May on the WIRED Mexico website.The story was selected as the winner from six finalists. The award recognises journalistic work that addresses science, public health, the environment and climate change, biodiversity and sustainability, among other subjects.“This piece by Geraldine Castro showcases the kind of stories that WIRED Mexico offers its audience: well-researched and well-edited content that highlights the human impact on improving the planet and seeks to promote change. We are very happy and proud of this recognition, which motivates us to continue publishing more and better reports,” said Mael Vallejo, Head of Editorial Content at WIRED Mexico.The Mexican Network of Science Journalists organises the competition to recognise “outstanding journalistic work that contributes to strengthening the public’s understanding of science, technology, health, the environment, and innovation. This award seeks to promote ethical, rigorous, critical, and accessible science journalism that is committed to the public interest and grounded in verifiable evidence.”

The Times

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Condé Nast Joins Leading Publishers in Call for Greater AI Transparency

Condé Nast has joined a coalition of British and American publishers, including The Times and the Financial Times, in a letter calling for legislation to prevent anonymous AI bots from scraping copyrighted content. Covered in <a href="https://www.thetimes.com/uk/media/article/publishers-ai-stealth-bots-andy-burnham-xsmdldzf3" rel="noopener noreferrer">The Times</a> and shared below, the letter urges the UK government to require greater transparency from AI companies about who is accessing publishers’ websites and how their content is being used, strengthening copyright protections and creators’ ability to control and commercialize their work. &nbsp;<hr>&nbsp;The Rt Hon Andy Burnham MP Prime Minister 10 Downing Street London SW1A 2AACC: The Rt Hon Lisa Nandy MP, Secretary of State for Digital, Culture, Media and Sport; The Rt Hon Jonathan Reynolds MP, Secretary of State for Business, Innovation, Science and Trade14 October 2026Dear Prime Minister,We represent businesses including the UK’s leading national and regional news publishers, one of the ten most visited websites in the world, and a web infrastructure company that helps deliver and secure many of the world’s biggest websites, handling more than five trillion web requests every day.We urge you to back Damian Hinds MP's Automated Online Software (Access and Transparency) Bill or introduce equivalent provisions in this parliamentary session. This is a narrow, practical measure that would require bots to identify who operates them and why they are accessing UK websites. With bots now accounting for more than 50% of global web traffic, such measures are vital to protect the open web, British interests, and creators’ ability to control and commercialise their content.&nbsp;AI companies – and the third parties that scrape data for them – know that this activity threatens the information ecosystem on which the quality of their models depends. Internal documents unsealed this month in US litigation show one leading AI developer warning that its content strategy had started a "doom loop", damaging both its own models and the wider web. One of its senior scientists said the copying of news could be the "largest theft of labor in human history".&nbsp;If the creators of trusted information receive no value for it, the supply of reliable information will diminish, then disappear. Without a continuing supply of high-quality, accurate information, AI models will degrade as they consume increasing volumes of their own AI-generated misinformation. This will cause serious harm to both the sources of trusted information and the AI models built on them.The problem starts with bots that access UK websites without identifying themselves, their operators or their purpose. Website owners cannot see who is taking their work or how it will be used. Industry research this year found that 95% of the UK's leading websites could be accessed by commercially available bots, whatever defences their owners had in place. This makes it impossible to control access to information properly or to negotiate a fair price for it.Voluntary standards have failed. The only established means for a website to signal which bots may access it, the robots.txt protocol, carries no legal force and is being ignored on a mass scale.The Hinds Bill is a modest fix. It requires bots to identify who operates them and what they will do with the content they access. It does not regulate AI firms directly or dictate a bot's behaviour. It simply gives website owners the information they need to identify and assess potentially abusive traffic, then take action to block it or negotiate fair payment terms for access.This is not only a problem for publishers. Businesses of every size pay the hosting bills for crawlers they cannot identify, only to have valuable data, including personal data, extracted without their knowledge. The high volumes of bot traffic many experience slow their websites down or even take them offline completely. This is harming UK businesses at a time when they can ill afford further setbacks.This is also a national security risk. Bot operators use residential IP proxies to route internet traffic through everyday consumer devices, making their activity appear as ordinary human traffic. The same technique and infrastructure are exploited by hostile state actors to launch concealed cyberattacks and mass cognitive warfare campaigns. This year, the UK joined the US, Japan and other allies in warning that state-sponsored Chinese hackers were using consumer devices to conduct their malicious activities. In practice, this means an operator in Beijing can appear to be a home user in Manchester, making hostile activity harder to identify and disrupt.Much of the debate on AI fixates on distant, existential risks, but this harm is already here: unidentifiable bots are taking valuable content, imposing costs on businesses and weakening the market for trusted information. The continued creation of trusted information, including professional journalism, is critical to our epistemic security and our nation's democratic infrastructure. A National Centre for Information Defence will have limited impact if the public does not have easy access to reliable information from UK publishers.The case for transparency is clear. What is missing is a decision to act. Therefore, to protect the UK's information security and the health of the open internet, we urge you to support the Hinds Bill or bring forward equivalent legislation in this session. Doing so will require AI firms to help sustain the creation of the trusted information on which their models depend - with the added bonus of supporting domestic growth and relieving pressure on business costs.Yours sincerely,Anna Bateson, CEO, Guardian Media GroupChris Evans, Editor, The Daily TelegraphChris Longcroft, EVP, Publisher, The Times and The Sunday TimesDanny Groom, CEO, Daily MailDan Conway, CEO, Publishers AssociationDominic Carter, EVP, Publisher, The SunGeoff Maynard, Editor in Chief, Daily and Sunday ExpressJen Wong, Chief Operating Officer, Reddit, Inc.Jon Slade, CEO, Financial TimesJustine Roberts, Founder and Executive Chair, MumsnetNeil McIntosh, Editor, Daily RecordSajeeda Merali, CEO, Professional Publishers Association (PPA)Scott Lovett, President, FastlySteve Graves, Editor in Chief, Liverpool EchoTheo Bamber, Chief Executive, News Media AssociationVasanth Williams, Chief Product and Technology Officer, Condé Nast

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Condé Nast Traveller India Brings Its Top Restaurant Awards to Goa

Condé Nast Traveller India brought its <a href="https://www.cntraveller.in/story/the-best-restaurants-in-india-2026/">Top Restaurant Awards</a> to Goa for the first time, gathering leading chefs, restaurateurs and culinary tastemakers to celebrate India’s dining scene.&nbsp;Held in partnership with District and Visa, the evening saw NAAR in Kasauli take the top spot, followed by The Table and Papa’s in Mumbai, FarmLore in Bengaluru and Sienna Calcutta in Kolkata. Four Excellence Awards also honoured talent across cooking, hospitality and mixology.

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WIRED Brings Its Journalism to Life at First-Ever World Fair

Featured Guests Include Alex Gibney, Alexis Ohanian, Ben Collins, Clement Delangue and Hunter Schafer; Attendees Will Experience Emerging Innovations From NASA XOSS, Unitree Robotics and More.

<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.38;margin-bottom:0pt;margin-top:0pt;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr"> WIRED will host its inaugural <a href="https://www.wired.com/wiredworldfair/">WIRED World Fair</a> at The Sacred Space in Miami on November 4. The full-day festival will bring WIRED’s journalism to life, convening&nbsp; the people, ideas, and innovations shaping the future across science, technology, politics, business, and culture.&nbsp; &nbsp;<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.38;margin-bottom:0pt;margin-top:0pt;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr">Attendees will experience the technology WIRED covers firsthand through interactive installations, hands-on demonstrations, live podcast recordings, and more – from humanoid robots and digital art to simulated space missions. &nbsp;<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.38;margin-bottom:0pt;margin-top:0pt;orphans:2;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr">PROGRAM &nbsp;<ul style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin-bottom:0px;margin-top:0px;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><li style="background-color:transparent;color:rgb(0, 0, 0);font-family:Arial, sans-serif;font-size:10pt;font-variant:normal;list-style-type:disc;vertical-align:baseline;white-space:pre-wrap;" dir="ltr">What if The Onion launched an alt-right podcast? Satire, and who it’s for now | Ben Collins, CEO, The Onion&nbsp;</li><li style="background-color:transparent;color:rgb(0, 0, 0);font-family:Arial, sans-serif;font-size:10pt;font-variant:normal;list-style-type:disc;vertical-align:baseline;white-space:pre-wrap;" dir="ltr">Who owns the future of AI? A lawsuit gives us some clues | Clement Delangue, Cofounder and CEO, Hugging Face&nbsp;&nbsp;</li><li style="background-color:transparent;color:rgb(0, 0, 0);font-family:Arial, sans-serif;font-size:10pt;font-variant:normal;list-style-type:disc;vertical-align:baseline;white-space:pre-wrap;" dir="ltr">What if you pointed a camera at Elon Musk and didn’t look away? Musk film screening and Q&amp;A | Alex Gibney, Film Director&nbsp;</li><li style="background-color:transparent;color:rgb(0, 0, 0);font-family:Arial, sans-serif;font-size:10pt;font-variant:normal;list-style-type:disc;vertical-align:baseline;white-space:pre-wrap;" dir="ltr">What if you could talk to a dolphin? Spoiler: You can. Here’s how | Denise Herzing, Founder and Research Director, Wild Dolphin Project&nbsp;</li><li style="background-color:transparent;color:rgb(0, 0, 0);font-family:Arial, sans-serif;font-size:10pt;font-variant:normal;list-style-type:disc;vertical-align:baseline;white-space:pre-wrap;" dir="ltr">What if we could bring back the woolly mammoth? De-extinction, and what comes after | Ben Lamm, Cofounder and CEO, Colossal Biosciences&nbsp;</li><li style="background-color:transparent;color:rgb(0, 0, 0);font-family:Arial, sans-serif;font-size:10pt;font-variant:normal;list-style-type:disc;vertical-align:baseline;white-space:pre-wrap;" dir="ltr">What if you could put a social network in front of a jury? Suing the platforms | Mark Lanier, Trial Lawyer&nbsp;</li><li style="background-color:transparent;color:rgb(0, 0, 0);font-family:Arial, sans-serif;font-size:10pt;font-variant:normal;list-style-type:disc;vertical-align:baseline;white-space:pre-wrap;" dir="ltr">Where should the VC dollars go next? Investing in the ideas, people, and movements shaping the future | Alexis Ohanian, Founder, Seven Seven Six&nbsp;</li><li style="background-color:transparent;color:rgb(0, 0, 0);font-family:Arial, sans-serif;font-size:10pt;font-variant:normal;list-style-type:disc;vertical-align:baseline;white-space:pre-wrap;" dir="ltr">What if the next election is won by creators, not campaigns? After the midterms | CJ Pearson + Kat Abughazaleh, Political Influencers</li><li style="background-color:transparent;color:rgb(0, 0, 0);font-family:Arial, sans-serif;font-size:10pt;font-variant:normal;list-style-type:disc;vertical-align:baseline;white-space:pre-wrap;" dir="ltr">What happens when you push AI to the limit? Hilarity ensues | Evan Ratliff, Writer and Host, Shell Game + Husk, Comedian and Face of AI Satire Online&nbsp;&nbsp;</li><li style="background-color:transparent;color:rgb(0, 0, 0);font-family:Arial, sans-serif;font-size:10pt;font-variant:normal;list-style-type:disc;vertical-align:baseline;white-space:pre-wrap;" dir="ltr">What will 2099 be like? And will humans still be in charge? | Hunter Schafer, Actress, Model, and Artist + Silka Luisa, Showrunner, Blade Runner 2099&nbsp;&nbsp;</li></ul>Read more <a href="https://www.wired.com/wiredworldfair/">here</a>. Tickets available <a href="https://www.wired.com/wiredworldfair/#tickets">here</a>. &nbsp;

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Vogue Arabia Announces Its Inaugural  Vogue Arabia Ball: Art Edition

A new annual celebration under Condé Nast Middle East’s owned-and-operated portfolio, the Vogue Arabia Ball brings together leading regional and international names and opinion leaders from fashion, art, culture and entertainment, with the inaugural Art Edition celebrating art through the female gaze.


Vogue Arabia announces the launch of the Vogue Arabia Ball, a new annual celebration under Condé Nast Middle East’s owned-and-operated portfolio. Each edition will have its own distinct theme and creative vision, reinforcing Vogue Arabia’s commitment to the region’s creative community and its ambition to bring exciting live experiences to Dubai and beyond. The city’s diverse creative landscape and strong connection to the wider region make it an ideal starting point for a new annual celebration that will evolve and travel to different cities across the region in future editions. &nbsp;The inaugural Vogue Arabia Ball: Art Edition will celebrate art through the female gaze, placing creativity and the perspectives of women at the heart of the evening. The theme will reflect art’s ability to bring people together, fostering a sense of belonging, pride and optimism.&nbsp; &nbsp;The private Ball will welcome opinion leaders, celebrities, royalty and top executives from luxury brands from across the region and internationally, alongside leading figures from the worlds of art, fashion, entertainment and culture, and will be held at Forum Ballroom at Delano Dubai in Bluewaters on Friday, 13 November 2026. &nbsp;With a Black Tie Art-Inspired dress code that gives priority to Arab designers, this year’s edition will feature a high-profile art-inspired red carpet, immersive artistic experiences, a curated dinner and an evening of live entertainment, culminating in a performance by a leading regional superstar, whose identity will be revealed closer to the celebration. Beyond the celebration, Vogue Arabia Ball: Art Edition will also champion access to arts education.&nbsp;In support of the arts and female empowerment, Vogue Arabia is collaborating with two leading Emirati artists whose work will be integrated into the Ball, placing art at the heart of the evening. Shaikha Al Mazrou, one of the UAE’s leading contemporary artists, is internationally recognised for her bold sculptural work exploring form, material, colour and space, while Dhabia Al Qubaisi, an emerging Emirati voice in contemporary art, works across painting, mixed media and textiles, creating evocative works rooted in memory, presence and lived experience. Together, their distinct artistic visions will come to life throughout the Vogue Arabia Ball: Art Edition. &nbsp;Beyond celebrating established and emerging creative voices, the Vogue Arabia Ball: Art Edition will also champion access to arts education, reflecting Vogue Arabia’s commitment to supporting the next generation of creative talent. As part of the initiative, Vogue Arabia is collaborating with Art House Education Dubai to create opportunities for aspiring creatives to develop their skills, engage with the arts and advance their creative journeys without the associated cost.&nbsp; &nbsp;Manuel Arnaut, Head of Editorial Content, Vogue Arabia, said: “I am very excited to see the Vogue Arabia Ball: Art Edition come to life, as this art-focused edition brings together an exceptional mix of regional and international figures from fashion, art and entertainment at a time when the UAE’s cultural landscape is flourishing, with new museums opening and major art fairs. After a moment of instability, we are proud to host this event in the UAE, in a clear message of optimism and energy, proving Dubai is still a global creative hub. For us, it is equally important that the Ball looks to the future by opening doors for emerging talent and expanding access to arts education, a commitment I am particularly proud to have woven into this first edition.” &nbsp;Thomas Khoury, Managing Director, Condé Nast Middle East, said: The Vogue Arabia Ball marks an important new chapter for Vogue Arabia and Condé Nast Middle East, representing a significant investment in the growth of the brand and in the region’s wider cultural and creative economy. Establishing an annual platform of this scale creates new opportunities to bring together audiences, partners and creative talent, while extending Vogue Arabia’s influence into the cultural landscape. As the Ball evolves with each edition, it will create new opportunities for collaboration, partnership and creative exchange, reflecting the continued growth and ambition of the region.” &nbsp;The Ball will also mark the reveal of the winner of the <a href="https://www.voguearabia.com/sponsored/article/creators-of-craft-the-five-finalists-revealed">Creators of Craft Design Challenge</a>, celebrating emerging design talent and creative expression from the region. The design challenge invited creatives across the UAE, Saudi Arabia, Kuwait, Lebanon and Egypt to reimagine regional craft heritage through contemporary design. <a href="https://www.voguearabia.com/sponsored/article/creators-of-craft-the-five-finalists-revealed">Five finalists</a> from Lebanon, the UAE and Egypt developed prototypes of their concepts, with the winner receiving a commissioned collaboration opportunity, a paid trip to Milan, a Vogue Arabia print feature and exclusive masterclasses.

WIRED Mexico Puts the Future in Focus

WIRED Mexico brought technology leaders, artists and creators together in Mexico City for <a href="https://es.wired.com/articulos/wired-futures-2026-asi-se-vivio-el-futuro-de-la-tecnologia">WIRED Futures 2026</a>, with immersive experiences, workshops and conversations about technology’s impact on everyday life.&nbsp; &nbsp;Actor and producer Diego Boneta discussed what AI could mean for filmmaking, Bitso CEO Daniel Vogel explored the future of banking, and creators Gonzok and Ary Tenorio considered the value of human-made content. UN Women Mexico goodwill ambassador Marion Reimers also spoke about the role of community in shaping new technologies.

Vanity Fair’s New Establishment Ranks the People Shaping Tech, Money and Politics

<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.38;margin-bottom:0pt;margin-top:0pt;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr">Vanity Fair reveals the <a href="https://www.vanityfair.com/story/the-new-establishment-2026">New Establishment list of 2026</a>, with Sam Altman at number one. Since the first list published in 1994, the New Establishment has identified the people who have defined the moment—from the Information Age to the dot-com bubble, the financial crisis to the social media tidal wave. But never in the list’s history have the stakes of individual influence felt so high.&nbsp; &nbsp;<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.38;margin-bottom:0pt;margin-top:0pt;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr">After a seven-year hiatus of the New Establishment, Vanity Fair looks to answer the question: What does it mean to wield power in this strange, at times terrifying, new world? &nbsp;<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.38;margin-bottom:0pt;margin-top:0pt;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr">Altman—one the most prominent and duly embattled figures of the AI era—sat down with Vanity Fair’s Mark Guiducci for a two-part interview on Vanity Fair’s new flagship interview show, Fair Game, as Altman faces some of the biggest challenges of his career and his industry. Altman appears on a digital cover shot by Vanity Fair chief photographer Annie Leibovitz with a question: Sam Altman sees the future. Are we in it? &nbsp;<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.38;margin-bottom:0pt;margin-top:0pt;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr">Mark Guiducci, Global Editorial Director for Vanity Fair, writes in his <a href="https://www.vanityfair.com/story/new-establishment-editors-letter-2026">editor’s letter</a>: “Our editors composed this list to reflect the world as we see it rather than how we’d like it to be: for better or for worse, we said. Several entrants are among the most controversial people on earth, widely perceived as supranational supervillains—post-morality in anticipation of becoming post-human. The AI philosopher kings and their fallen-angel investors make yesterday’s moguls seem quaint.”<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.38;margin-bottom:0pt;margin-top:0pt;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr">&nbsp;<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.38;margin-bottom:0pt;margin-top:0pt;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr">Names featuring on the New Establishment include Dario Amodei, the DSA, JD Vance, Gavin Newsom, Elon Musk, Kaitlan Collins, the Kushners, Hasan Piker, Meredith Kopit Levien, Marco Rubio, Zohran Mamdani, Jensen Huang, Christopher Nolan, Matthieu Blazy, Pope Leo XIV, Sundar Pinchai, and more. Watch the full two-part interview with Sam Altman <a href="https://www.vanityfair.com/story/sam-altman-exclusive-interview-part-1">here</a>.

A Personal Update from CEO Roger Lynch

Dear all,&nbsp;I’m writing with bittersweet news. After seven and a half years as your CEO, I have made the very difficult decision to step down and help begin a leadership transition for the company. Soon, I’ll be joining Mattel as their new CEO.&nbsp;&nbsp;When I joined Condé Nast, I had the simple ambition to leave this extraordinary place stronger than I found it. Together, we navigated a pandemic, enormous disruption across our industry, and a media landscape that seemed to change beneath our feet every year. And yet, there is no doubt that we transformed Condé Nast for a new era. We brought our global businesses together, built a unified company, and strengthened our journalism and creative work. One of the big areas of opportunity I saw when I joined the company was to expand our consumer and events businesses. Those of you who have been with Condé Nast for these last seven years have heard me talk about this focus many times. I’m particularly proud of how far we’ve come in these areas: since 2020, revenue from commerce grew by 170%, digital subscriptions by 155%, and US tentpole events increased ninefold.&nbsp;Through all of it, what has remained constant is the exceptional work produced and the brilliant team that has made it possible. I’ve never been more inspired in my career than when I’ve been with you. One particular highlight was starting our Middle East operations in Dubai, our first new office in 16 years. As we close the third quarter, the company is on track for another year of revenue and profit growth. New initiatives around digital products like Vette and events like Vogue World will fuel continued success. I intend to do everything I can to ensure that trajectory continues. In fact, I’m thrilled that I will continue in a role as a member of the Condé Nast Board of Directors and remain deeply invested in the company and its future.The board will begin a search for Condé Nast’s next CEO, and in the meantime, Mike Perlis, our lead independent director, will serve as interim CEO. Having served on our board for almost eight years, he is deeply familiar with our business and will work closely with our experienced executive leadership team throughout the transition. With the strength of that leadership and our deeply committed teams around the world, I’m confident the company will continue to thrive.We will soon hold a company meeting where you’ll have the opportunity to meet Mike and hear more about the transition. For now, I simply want to say how grateful I am. I could not be more proud of what we have accomplished. I have every confidence in your ability to continue building on the foundation we have created together.My best, Roger

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AD100 Night Comes to Gaudí’s Casa Vicens

AD Spain and Sklum brought the design world to Barcelona’s Casa Vicens for the fourth <a href="https://www.revistaad.es/galerias/noche-ad100-2026-protagonistas">AD100 Night</a>, celebrating craftsmanship and contemporary creativity at <a href="https://www.revistaad.es/articulos/casa-vicens-la-primera-genialidad-de-un-jovencisimo-gaudi-nochead100">Gaudí’s UNESCO-listed Casa Vicens</a>. Guests included interior designer Lorenzo Castillo, who appears on AD’s <a href="https://www.revistaad.es/articulos/lorenzo-castillo-nos-abre-las-puertas-de-su-nuevo-hogar-en-oviedo">October cover</a>, interior designer Patricia Bustos, architect Ramón Esteve and designer and artist Jaime Hayon.

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Vogue World: Milano Takes Over the Galleria Vittorio Emanuele II in a Celebration of Fashion, Craftsmanship and Culture

Vogue World arrived in Milan on September 22, the first day of Milan Fashion Week, with a celebration of Italian craftsmanship at the Galleria Vittorio Emanuele II. Livestreamed around the world, the fifth edition brought more than 360 models, performers and other talent together for a show spanning fashion, music, dance, opera and technology.Vogue World: Milano leaves a lasting contribution to the city. Fundraising for the redevelopment of the Quarto Oggiaro public library has reached $3 million (€2.65 million), exceeding Vogue’s €2 million goal. The funds will help create a renewed space for culture, education and community connection.Across five acts, the show traced how the human hand has shaped fashion, from artisanal workshops and industrial production to screen culture and the age of artificial intelligence. Craftspeople from Italian fashion, accessories and jewellery houses took their place in the Galleria, putting the skills behind the finished looks in the spotlight.The evening featured a 100-strong children’s choir from the Accademia Teatro alla Scala, a performance by Roberto Bolle to music from La Traviata, and Alicia Keys performing “I Feel Love.” The finale brought the show’s past and future themes together through eight one-of-a-kind Memory Dresses, created for the occasion by Armani Privé, Bottega Veneta, Dolce&amp;Gabbana, Fendi, Ferragamo, Gucci, Prada and Valentino. More than 6,000 paper origami pieces, designed by Jony Ive’s LoveFrom studio, fell from the Galleria’s ceiling as the show closed.The team behind the event included Anna Wintour and Vogue Italia’s Head of Editorial Content Francesca Ragazzi, alongside creative director Juan Costa Paz, fashion director Lady Amanda Harlech, show curator Judith Clark and choreographer Charm La’Donna. The global livestream was directed by Becky Garner and produced by Si Fi Productions.<a href="https://www.vogue.com/tag/event/vogue-world">Watch the show</a>, explore the <a href="https://www.vogue.com/article/what-is-vogue-world-milan-2026-09-22">five acts</a> and <a href="https://www.vogue.com/slideshow/inside-vogue-world-2026-milano">go behind the scenes</a>.

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Condé Nast Traveller Middle East Celebrates the Region’s Travel Community

Condé Nast Traveller Middle East brought the region’s travel community together for&nbsp;<a href="https://www.cntravellerme.com/story/inside-conde-nast-traveller-middle-easts-somewhere-next-party">Somewhere Next</a> at Gloria Osteria. The title’s annual celebration, held in partnership with Jetour, brought together hoteliers, travel specialists and regional media personalities such as actor Bassel Alzaro, as well as restaurateurs Omar Shihab and Stasha Toncev, who gathered for a performance blending Middle Eastern music and jazz by Noon Band, followed by a live DJ set by Chico Serio. In her speech, Selina Denman, Head of Editorial Content, reflected on the importance of trusted journalism and thoughtful storytelling in uncertain times, describing the evening as a moment of optimism for travel in the Middle East.

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WIRED Launches New Global App

The app is the single best place to experience all things WIRED, bringing its journalism, video, podcasts, personalised recommendations and community features directly to users.

WIRED today launched the global <a href="https://www.wired.com/story/introducing-the-wired-app/">WIRED app</a>, the best way to stay close to the brand’s reporting, its journalists, and the stories mapping what comes next. Every day, WIRED brings its audience exclusive, forward-looking journalism. Now with the app, there are more ways to consume and experience the content – all in one place.&nbsp;The WIRED app brings together stories, podcasts, video, and exclusive audio experiences, while giving users new ways to engage directly with the newsroom. Users can receive a personalized Daily Digest, comment on stories, listen to curated audio playlists, and more.As a launch offering, users can <a href="https://www.wired.com/story/app/splash/">download the app</a> for free on Google and Apple today through November 9 to have full access to WIRED.&nbsp;From Katie Drummond, Global Editorial Director of WIRED“The app is the single best place to experience all things WIRED. There are so many different ways to enjoy our journalism, and the app now gives us an entirely new and direct way to connect our audience with the brand – and the people behind it. I’m thrilled to be building a true community around our work.”Read more on <a href="https://www.axios.com/2026/09/15/wired-launches-new-global-app">Axios</a>.&nbsp;

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GQ Unveils Its Largest-Ever Cover, Starring Tom Cruise

<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.38;margin-bottom:0pt;margin-top:0pt;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr">GQ today revealed its <a href="https://www.gq-magazine.co.uk/article/tom-cruise-october-2026-cover-story">October issue cover</a> featuring Tom Cruise in an exclusive and rare interview ahead of Cruise’s Digger press tour.&nbsp; &nbsp;<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.38;margin-bottom:0pt;margin-top:0pt;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr">Cruise has appeared on eight GQ U.S. covers — the most of any cover star. But it’s been two decades since his last GQ cover, and over a decade since his last in-depth U.S. magazine interview.&nbsp; &nbsp;<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.38;margin-bottom:0pt;margin-top:0pt;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr">Now, he’s sitting down with GQ’s Zach Baron to talk about taking risks, inflection points throughout his four-decade career, childhood aspirations, and why he’s talking now.&nbsp; &nbsp;<p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:1.38;margin-bottom:0pt;margin-top:0pt;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr">This is GQ’s largest cover ever, spanning across 20 global markets. In his editor’s letter, Global Editorial Director Adam Baidawi describes booking a once-in-a-generation talent, the “batsh*t” concept GQ proposed for the shoot (Tom was thrilled by it), and being on set to see it come to life.

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Vogue World: Milano to Livestream Globally

Vogue announces that <a href="https://www.vogue.com/tag/event/vogue-world">Vogue World: Milano</a> will be <a href="https://www.vogue.com/article/everything-you-need-to-know-about-vogue-world-milano">livestreamed globally</a> across Vogue’s platforms on September 22 at 8:00 PM CEST, giving audiences around the world a front-row seat to one of the year’s most anticipated celebrations of fashion and culture.&nbsp;Bringing together fashion, music, and the performing arts, the livestream will capture the performances, standout fashion, and personalities at the heart of Vogue World: Milano, with an exceptional lineup of talent coming together at the Galleria Vittorio Emanuele II.Produced by Si Fi Productions and directed live by Becky Garner - a visionary visual creator renowned for her innovative approach to live productions and immersive, multi-platform storytelling - the livestream will put audiences at the center of the action, moving dynamically through the event’s storytelling. The social campaign, <a href="https://www.instagram.com/voguemagazine/reel/DdSDbzLjRsl/?hl=en">VITTORIA as “VITTORI-Ai”,</a> stars Vittoria Ceretti. Directed by Bardia Zeinali, whose work is deeply rooted in popular culture, the campaign explores the creative tension at the heart of Vogue World: Milano: where heritage meets innovation. Harnessing new technologies to revisit the revolutions that came before them, the content explores the qualities that remain uniquely human; qualities that cannot be fully replicated, even with today’s limitless technological tools and resources.Vogue World: Milano celebrates the artisans and rich history of Made in Italy, while also shining a light on the less visible yet equally essential roles behind the scenes. Today, more than ever, as AI transforms the creative landscape, Vogue spotlights the people whose talent, expertise, and dedication make fashion evolve.100% of ticket proceeds will contribute to the redevelopment of the Quarto Oggiaro public library, a neighborhood on the outskirts of Milan, with the aim of returning to the community a renewed and inclusive space dedicated to culture, education, and social connection. Vogue has confirmed an investment of at least €2 million.

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 WIRED Wins Online Journalism Award

WIRED has won an <a href="https://us.list-manage.com/FK8Gp7T5wFV?e=b060faadc3&amp;c2id=0f9bcaae0a7acc0198cb008863cc9d16">Online Journalism Award</a>, one of digital journalism’s leading international honours, for Excellence in Technology Reporting for its <a href="https://us.list-manage.com/mjOqAAAokG1?e=b060faadc3&amp;c2id=0f9bcaae0a7acc0198cb008863cc9d16">investigation into a scam compound in Southeast Asia</a>. The winning project combined Andy Greenberg’s reporting with an analysis of the leaked materials and a 25-minute <a href="https://us.list-manage.com/ahc6MMOUjpY?e=b060faadc3&amp;c2id=0f9bcaae0a7acc0198cb008863cc9d16">HACKLAB documentary</a>.

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Introducing “The Journey,” a New Podcast from The New Yorker and In the Dark

The New Yorker and In the Dark today announced the release of “<a href="https://www.newyorker.com/podcast/in-the-dark/the-journey">The Journey,</a>” an audio investigation hosted by the New Yorker staff writer Ava Kofman. The podcast unravels the mystery of how Guojun Xuan and Silvia Zhang, a wealthy Los Angeles couple, obtained dozens of children through nearly as many surrogates—and exposes a scandal that threatens to undermine the surrogacy industry. &nbsp;Kofman interviews an unusual cast of characters with ties to the couple, including neighbors, business associates, and surrogates—some of whom were still pregnant when news broke that the couple was under investigation by the F.B.I. Kofman reviews confidential files that raise startling questions about what the child-welfare system knew all along. And she reveals how the stunning lack of regulation in the American surrogacy industry made this situation possible.&nbsp; &nbsp;The series, which builds on a February, 2026, New Yorker <a href="https://www.newyorker.com/magazine/2026/02/16/the-babies-kept-in-a-mysterious-los-angeles-mansion">investigation</a>, features interviews with several of the couple’s surrogates who hadn’t spoken to the media before, and follows the previously unreported story of one woman’s fight in Virginia to keep the baby she gave birth to.&nbsp;Starting Tuesday, September 15th, episodes will be released to all listeners via In the Dark’s podcast feed on a weekly basis, wherever podcasts are available. New Yorker subscribers can get early, ad-free access to all five episodes at once through the New Yorker app and Apple Podcasts.&nbsp; &nbsp;“<a href="https://www.newyorker.com/podcast/in-the-dark/the-journey">The Journey”</a> is written and produced by Kofman, senior producer Natalie Jablonski, and producer Rehman Tungekar, with Samara Freemark as managing producer. The series is edited by Alison MacAdam, with additional editing by Willing Davidson and Madeleine Baran. The podcast art is by Vartika Sharma.&nbsp;&nbsp;

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Dennis Braatz on the Future of Travel Journalism

<div class="qMYqUG_convSearchResultHighlightRoot"><div class="" data-turn-id-container="request-WEB:e064627b-c829-4a0c-96a6-dc9f8d3cd9c5-3" data-is-intersecting="true"><section class="text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]" dir="auto" data-turn-id="request-WEB:e064627b-c829-4a0c-96a6-dc9f8d3cd9c5-3" data-turn-id-container="request-WEB:e064627b-c829-4a0c-96a6-dc9f8d3cd9c5-3" data-testid="conversation-turn-8" data-turn="assistant"><div class="text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)"><div class="[--thread-content-max-width:40rem] @w-lg/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group/turn-messages focus-visible:outline-hidden @[53.5rem]/main:[--thread-content-max-width:48rem] relative flex w-full min-w-0 flex-col agent-turn" data-conversation-screenshot-content=""><div class="flex max-w-full flex-col gap-4 grow"><div class="min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&amp;]:mt-1" data-message-author-role="assistant" data-message-id="85298c4c-2648-5e60-9776-835d483e97b3" data-turn-start-message="true" dir="auto" tabindex="0" data-message-model-slug="gpt-5.6-sol-wm"><div class="flex w-full flex-col gap-1 empty:hidden"><div class="markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling">Dennis Braatz, Head of Editorial Content at Condé Nast Traveller Germany, joins UnderCover – PRINT IS NOT DEAD! to discuss the making of the magazine and what sets premium travel journalism apart.He shares insights into the importance of first-hand reporting, the relationship between print, digital and social media, and why expert curation remains essential in the age of AI travel planners and social media trends. Braatz also reflects on memorable assignments from Australia to Las Vegas.Listen to the full episode on Spotify <a href="https://open.spotify.com/episode/78mfnWD7bEXy8Ruw2s7ExM">here</a>.</div></div></div></div>&nbsp;<div class="mt-3 w-full empty:hidden has-[&gt;_:empty]:hidden">&nbsp;</div></div><div class="[--thread-content-max-width:40rem] @w-lg/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1" data-conversation-screenshot-content=""><div>&nbsp;</div></div></div></section></div></div><div class="pointer-events-none -mt-px h-px translate-y-(--scroll-root-safe-area-inset-bottom)" aria-hidden="true">&nbsp;</div>

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