The Crisis of Ugliness: From Cubism to Pop-Art

Status:
€119,00
$144.00
ISBN13:
9789004366541
Expected Date:
March 2018
Copyright Year:
2018
Format:
Hardback
Publication Type:
Pages, Illustr.:
approx. 198 pp.; incl. 39 color illustrations
Imprint:
Language:
Biographical note
Mikhail Lifshitz (1905-1983) was an employee of the Marx-Engels Institute in Moscow, and from the 1930s developed, on Marxist grounds, a distinctively critical approach to literary modernism. His The Philosophy of Art of Karl Marx (1933) remains a major contribution to the reconstruction of Marx's own thinking on aesthetics.
David Riff (1975) is a writer, artist and curator. He was a member of the work group Chto delat and co-editor of the newspaper of the same name from 2003 to 2008. Riff has curated international exhibitions and event programs and has published extensively on contemporary art. He currently lives in Berlin and works as a freelance curator.
David Riff (1975) is a writer, artist and curator. He was a member of the work group Chto delat and co-editor of the newspaper of the same name from 2003 to 2008. Riff has curated international exhibitions and event programs and has published extensively on contemporary art. He currently lives in Berlin and works as a freelance curator.
Readership
Art historians, critical theorists, students of Soviet aesthetics, modernism and Marxist cultural theory.
Table of contents
List of Illustrations
Introduction. Mikhail Lifshitz: A Communist Contemporary
David Riff
Foreword
1 Myth and Reality: The Legend of Cubism
‘Scandal in Art’
Two Appraisals of Cubism
G.V. Plekhanov and Cubism
The Terms ‘Reactionary’ and ‘Bourgeois’
The Revolt against Things
Fusion with Objects as an Ideal
The Evolution of Cubism
Painting in the Other World
2 The Phenomenology of the Soup Can: The Quirks of Taste
The Economy of Painting
Reflection’s Malaise
Conclusion
3 Why am I Not a Modernist?
References
Index
Illustration Section
Introduction. Mikhail Lifshitz: A Communist Contemporary
David Riff
Foreword
1 Myth and Reality: The Legend of Cubism
‘Scandal in Art’
Two Appraisals of Cubism
G.V. Plekhanov and Cubism
The Terms ‘Reactionary’ and ‘Bourgeois’
The Revolt against Things
Fusion with Objects as an Ideal
The Evolution of Cubism
Painting in the Other World
2 The Phenomenology of the Soup Can: The Quirks of Taste
The Economy of Painting
Reflection’s Malaise
Conclusion
3 Why am I Not a Modernist?
References
Index
Illustration Section












