AFI's been burning up the bay area hard-core scene for a number of
years now. With the release of their latest collection of fall
classics, this unique breed of talent proves unmatched in the art of
merging power and speed with melody, groove and dynamic song
structures! "The Art of Drowning" is proof positive of that as they
wander further through the darkness they first explored with last year's
"All Hollow's�" release, an impressive four song EP of Autumnal Hymns
and graveyard classics. Like a chilly winter wind, AFI continues to
blow over the scattered and dead leaves of the competition with an even
more impressive display of progression and growth without sacrificing
their aggressive firepower! Still fueled by an increasing "fire
inside," AFI continues to stretch the boundaries of Hard-Core, expanding
their own resources, while bringing back the traditional elements of A
Minor Threat with the fear factor of The Misfits into one unprecedented
state of the art display of Punk Rock fury�
AMZ I want to address the latest record, "The Art of Drowning" and then
touch a little on the band's overall career and move ahead from there.
What is actually meant by "The Art of Drowning?"
Jade Dave (Havoc) and I came up with the name jointly; I came up with
the "Art of" and he came up with the "Drowning," so there isn't really a
single clear-cut meaning.
AMZ Judging from the band's overall sound, it's stayed pretty
consistent over time but from the last EP "All Hallows" and to this new
one, there's a broader characteristic I hear in the songs-without
calling them commercial by comparison, I think there's a definite growth
in the music and a broader design to the song structures... For
instance, a tune like "The Days of the Phoenix" has much more complexity
and range going for it than just the simple two minutes and out formula
usually built into the HC/Punk formula...
Jade Well, we're definitely about progression and I think the songs on
"Art of Drowning" are a natural progression from where we were at on
"All Hallows." We have no desire to make the same record twice so each
release is going to be somewhat different.
AMZ Building on the previous thought, was there or is there a desire to
broaden AFI's appeal and maybe move into a more mainstream direction
along the lines of a Bad Religion type or The Offspring? How have you
fared as far as airplay in general and do you bother to concern
yourselves at all with that possibility?
Jade We're concerned with making good records that are uncompromised
by any outside considerations. If radio wants to play our song, that's
a bonus but we aren't writing these songs a certain way so they'll get
radio play.
AMZ I understand the band to have begun sometime during the mid-90s and
the album "Very Proud of Ya" as starting things off. There's seems an
overall looseness and colorful personality that ties in your album
illustrations and titles and yet the music possesses a very tight and
mature characteristic that really breaks through on the new album. So
what is AFI about in general and how are these tangibles representative
of the band?
Jade Well, the first two albums, "Answer That and Stay Fashionable"
and "Very Proud of Ya," were written when AFI were younger, and many of
the songs, particularly off the first album, were about things that a
high school kid would be interested in. I think the album art reflects
that too. As the band got older, all the various ingredients, such as
lyrics, art, and music, matured accordingly.
AMZ Obviously with the "All Hollows" EP, there's a Misfits tribute with
the song "Halloween." From that, I really hear a similarity in style,
particularly with the backing vocs... Describe their influence on you
guys as a young band and who else out there could you say has either
helped define your style or influenced you as a band?
Jade We all listened to the Misfits growing up� Obviously, Dave is
heavily influenced by Danzig and the Misfits. We share some of the same
anthemic qualities, as well as the "whoahs". Other bands such as Black
Flag, Minor Threat, the Germs, Bad Religion, etc. were influences as
well.
AMZ What happened to the "Artist still known as Mark" who once played
guitar for you? Who is the primary songwriter and how much would
someone like another guitar player as you, do on the new album to change
or enhance the AFI sound?
Jade Mark was asked to leave the band for personal reasons. They
asked me to play guitar after that and I became the primary songwriter.
On "Black Sails�" I wrote 11 of the 13 songs, all the originals on "All
Hallows," and most of the new album. Obviously with a new songwriter
with a completely different style, the music is going to be
fundamentally affected, which I think you can obviously hear. The
unifying thread, I believe, is Dave's lyrics and vocals, as well as
Adam's drums. They make any music sound like AFI. Hunter is also
starting to write more and his writing style has changed, he used to
write more harder edged tracks but now he's writing stuff like "6 to 8"
and "Days of the Phoenix," which are great songs in a completely
different vein.
AMZ Describe some of AFI's highlights during your career and feel free
to share any outrageous or ridiculous road stories or which there must
be many...
Jade For the two years that I've been in the band, there haven't been
any really outrageous things happening on the road� I don't know if
that's good or bad. As far as highlights, we've played incredible shows
all over, toured with great bands, and have been able to record albums�
there's nothing better than that!
AMZ Speaking of the "road," do you find there's a greater "closed door"
policy toward hard-core/punk groups these days or with this recent
ascendance of popularity within the music, have you seen a greater
response or respect toward the scene?
Jade Scenes vary in different parts of the country and world. Some
cities have a good Hard-Core scene or a good punk scene, or sometimes
both. In Europe, Hard-Core has been bigger than Punk for a long time
but that's starting to change. I think the mainstream does affect our
scene but regardless of what happens with mainstream music, there will
always be a core of loyal fans that don't care what's going on with
radio.
AMZ How do you portray yourselves as a band... are you comfortable with
being labeled as "this" or "that" or at the end of the day, is AFI
basically an existence all its own?
Jade People have consistently told us that it's very difficult to
label our music, which I think is a great compliment, one of our goals
is to play original music that's accessible at the same time.
AMZ You've been with the same label now for several albums which in
most cases is practically unheard of in the life of a punk group. What
would you attribute to the staying power of the relationship? Personally
I think AFI offers a different and more interesting aspect to the music
where each song is identifiable and unique on its own� an attribute of
staying power?
Jade I think that's true. AFI's fans have followed the band through
all this musical progression, which is awesome, and I think our fans
appreciate the fact that we don't make the same record twice. As far as
Nitro Records goes, they're really good to us and take care of us and
that's why we're still there.
AMZ And again, I'm leading toward the newer material, but aside from a
more creative consciousness, why should fans dig this new record and
what happens next?
Jade Well, we really believe this a good record� we're proud of it,
and we think people won't be disappointed if they buy it. That would be
a good enough reason for me to buy someone's record. Next, we'll be
touring with Rancid starting on November 1st in Minneapolis, and from
there I hope to be on the road as much as possible.
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