SAG-AFTRA has weighed in on the news that Netflix has won the bidding war for Warner Bros., and as expected, the actors union doesn’t seem happy — but it isn’t taking an official position just yet. Instead, the guild says the potential transaction “raises many serious questions” that leadership expects to have answered.
While the sale may “serve the financial interests of shareholders of both companies,” it is also sure to have sweeping consequences for the future of the entertainment industry, “and especially the human creative talent whose livelihoods and careers depend on it,” the guild argued in a statement issued Friday.
The deal — which sees Netflix fork over $82.7 billion for Warner Bros., including its film and television studios, HBO Max and HBO — “reaffirms the true value of legacy media companies and the long term economic prosperity they create due in large part to the contribution of the creative talent who are at the core of their success,” the statement reads.
Watch on Deadline
In conclusion: “A deal that is in the interest of SAG-AFTRA members and all other workers in the entertainment industry must result in more creation and more production, not less. It must do so in an environment of respect for the talent involved. Any decision about SAG-AFTRA’s position on this transaction will be made with the best interests of SAG-AFTRA members as the standard and following a complete and thorough analysis of the details of the deal, with particular focus on jobs and production commitments.”
SAG-AFTRA is now the third above-the-line union to enter the conversation. The Directors Guild of America quickly spoke up late Thursday night, when news began percolating that Netflix had entered exclusive talks with Warner Bros. Discovery, saying that it plans to meet with the streamer over “significant concerns” surrounding the deal. Meanwhile, the Writers Guild has indicated that they are not willing to entertain such a conversation, urging that any deal “must be blocked.”
“The world’s largest streaming company swallowing one of its biggest competitors is what antitrust laws were designed to prevent,” the WGA East and West said in a joint statement on Friday morning.
Thursday was a tumultuous day that saw Paramount move aggressively to counter Netflix’s offer and seal a deal of its own for WBD. However, Netflix still prevailed with a deal that sees them paying $27.75 a share for the venerable Hollywood studio.
WBD put itself on the block in October to open up the process after receiving three consecutive offers from Paramount. Now owned by the Ellison family, which has close ties to the Trump administration, Paramount had repeatedly argued that it is the only one of the three offers that were on the table with a clear path to closing, insisting in an open letter published yesterday that the rival offers from Netflix and Comcast both “present serious issues that no regulator will be able to ignore.”
This sets the stage for an interesting year ahead, as the WGA, DGA and SAG-AFTRA are set to enter another round of contract talks with the major Hollywood studios. Though negotiations with the Alliance of Motion Picture and Television Producers won’t formally begin until sometime in the spring, the unions have already been back channeling with the studios’ negotiating unit to signal priorities.
Both the writers and actors guilds will need to focus primarily on overhauling their health and pension plans, which have taken a hit in recent years and are both currently operating unsustainably.
What about residuals? Netflix pays pennies for streaming. Actors rely on decades of historical work to pay the bills. This could wipe out the svings of older/retired actors as well who did a lot of warner brothers movies and shows decades ago. How will SAG prevent this from happening?
I have no interest in what SAG/Aftra has to say. They’re a union where less than 10% of it’s members make a living (like the WGA) yet voted for a catastrophic strike from which the industry has yet to recover, and doubtful that it ever will.
Yet not one effing SAG member will admit they were wrong by going on strike two years ago.
Screw the lot of you.
Yeah them and the wga need to gtfo. More wga members than ever were working and they went on strike…and now what?
Sadly, and apart from what the impact of this take-over might be, immediately or long term for this industry, I have zero trust in whatever analysis SAG-AFTRA will conduct whatsoever on any matter really. Particularly under the leadership of Crabtree. The reality is that this long body-snatched, dentured-tiger union has – since White really – progressively disappointed membership (both, rank and file, and middle-class actors that work often while not being a household name) at every critical negotiation juncture (whether it was compensation or health insurance or pension related) or at any paradigm-changing pivotal moments (like, i.e., A.I.) since 2012. I don’t expect them to do better on this matter or add anything of significance besides “much a do about nothing” communications. WGA might have something meaningful to say.
Lol what do these unions think they’re going to do should they find something objectionable? Go on strike again? Please. These orgs have no power over anything anymore.
what a weak milquetoast statement that severly misses the moment!
can’t bite the hand that feeds!