Advertising and Popular Culture, Volume 5Is it possible that consumers exploit advertising even more so than advertising exploits and influences our culture? Author Jib Fowles argues that consumers look to advertising to provide them with images that can assist them in negotiating the personal dilemmas of advanced industrial life. Advertising and Popular Culture is the first comprehensive text to provide a balanced analysis of advertising and its companion, the popular culture, conveyed through the mass media. Reflecting current theories, this thoughtful critique uses excerpts from advertising campaigns to illustrate how modern advertising both draws from and contributes to popular culture. Fowles traces the role of advertising in our culture from its evolution as part of the culture of mass consumption in the late 19th century, the development of advertising agencies, and the creation of a consumer culture to an exploration of the major themes of American advertising. Advertising and Popular Culture represents a fresh and fully elaborated conceptualization of the services that advertising and popular culture provide. This text will be a vital tool in departments and schools of advertising, journalism, and communication where increasing emphasis is being placed on studying the cultural significance of advertising. |
Contents
Origins | 26 |
Flagrant Criticisms | 52 |
The Dynamics Behind the Advertisement | 77 |
The Dynamics of Popular Culture | 103 |
Exchanges | 123 |
The Surface of the Advertisement | 148 |
Deciphering Advertisements | 167 |
Mixed Receptions | 184 |
The Project of the Self | 197 |
In Perspective | 228 |
| 252 | |
| 266 | |
About the Author 278 | |
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20th century activity adolescent adver advertising agency advertising and popular advertising imagery advertising message advertising's American analysis appearance attractiveness audience members behavior campaign Candice Bergen celebrity commercial commodity communication consumer consumption create creative critique of advertising cultural studies culture and advertising culture critics culture industries domain of popular domains of advertising Duracell emotional endorser Energizer bunny episode Eveready Battery Company exist featured feelings female Figure film flow gender gender depictions human ideal images individual intertextual Jack Daniel's laugh track less magazine male Marxist mass media meanings modern movie norms offer particular Pepsi pizza pleasurable popular cul popular culture popular music portrayals print ads production/consumption economy purchased rabbit reader reception relationship response role Roseanne self-identity sexual situation comedy social spectator star stereotypes sumers surface symbol domains symbolic material television thing tion tisers tising viewers women young



