The Metropolitan Opera Guide to Recorded OperaPaul Gruber In this guide, a distinguished corps of musicians, critics and discophiles, supported by the world-renowned Metropolitan Opera, New York, evaluate all the complete recordings of the most important and best loved operas in the repertoire. This information source gives the music lover authoritative advice on fine recordings. Employing the combined labours of some of the world's leading musicologists, "The Metropolitan Opera Guide to Recorded Opera" assesses every complete recording ever made of 150 operas fron "The Abduction from the Seraglio" to "Die Zauberflote" - by 72 composers - from Richard Wagner to Scott Joplin. The operas are arranged alphabetically by composer, and chronologically under each composer heading. An introduction to each opera entry details important issues such as textual differences between performances and cuts. The comparative reviews provide comments on sound quality, fidelity to the composer's intentions, and other fundamental points, and each entry ends by recommending one definitive rendition. |
Contents
Contents by Opera Titles | 1 |
LUDWIG VAN BEETHOVEN | 8 |
VINCENZO BELLINI | 18 |
Wozzeck Mark DeVoto | 36 |
GEORGES BIZET | 43 |
Regina Blitzstein | 60 |
18 | 76 |
FRANCESCO CILEA | 82 |
SCOTT JOPLIN | 329 |
THEA MUSGRAVE | 345 |
OTTO NICOLAI | 358 |
GIOVANNI BATTISTA PERGOLESI | 367 |
AMILCARE PONCHIELLI | 374 |
FRANCIS POULENC | 381 |
GIACOMO PUCCINI | 388 |
La Bohème London Green | 397 |
CLAUDE DEBUSSY | 88 |
LÉO DELIBES | 96 |
LElisir dAmore Noël Goodwin | 102 |
Francesca da Rimini Zandonai | 110 |
Les Pêcheurs de Perles Lord Harewood | 120 |
Regina Conrad L Osborne 60 | 127 |
Mefistofele London Green 62 | 136 |
Der Freischütz Weber | 139 |
GEORGE GERSHWIN | 142 |
Andrea Chénier Mark Swed | 148 |
CHRISTOPH WILLIBALD VON GLUCK | 156 |
Faust Conrad L Osborne | 165 |
GEORGE FRIDERIC HANDEL | 176 |
Mathis der Maler Peter G Davis | 182 |
LEOŠ JANÁČEK | 192 |
Manon Stewart Pearce | 233 |
Thaïs Massenet | 243 |
The Medium Stewart Pearce | 247 |
Les Huguenots Mark Swed | 253 |
Roland Graeme | 264 |
The Ballad of Baby | 270 |
Die Entführung aus dem Serail | 278 |
199 | 315 |
Tosca Conrad L Osborne | 411 |
Madama Butterfly London Green | 426 |
La Fanciulla del West David Stevens | 438 |
Turandot Peter G Davis | 458 |
MAURICE RAVEL | 467 |
NIKOLAI RIMSKYKORSAKOV | 474 |
Barbiere di Siviglia Roland Graeme | 480 |
Mignon C J Luten | 562 |
Rigoletto Verdi | 573 |
Rigoletto London Green | 583 |
Vespri Siciliani Jon Alan Conrad | 618 |
Un Ballo in Maschera Lord Harewood | 625 |
La Forza del Destino London Green | 632 |
Don Carlo Peter G Davis | 639 |
Aida Conrad L Osborne | 643 |
Otello London Green | 654 |
Falstaff Roland Graeme | 663 |
RICHARD WAGNER | 670 |
Kenneth Furie | 700 |
CARL MARIA VON WEBER | 740 |
Aufstieg und Fall der Stadt Mahagonny | 750 |
| 756 | |
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Common terms and phrases
Alfredo Anna aria baritone bass beautiful Böhm Callas Carlo cast CETRA character charm choral Chorus and Orchestra Christa Ludwig climaxes color coloratura conducting conductor cuts Decca DECCA/LONDON despite DEUTSCHE GRAMMOPHON Dietrich Fischer-Dieskau disc dramatic dynamic effect Elisabeth EMI/ANGEL ensemble Fischer-Dieskau French Giuseppe hear high notes impressive instrumental Italian José José van Dam Karajan La Scala lacks legato less listener London Lucia mance Maria Mario mezzo Mirella Freni moments Montserrat Caballé Nicolai Gedda Nicolai Ghiaurov numbers Opera Chorus Orches passages passion Pavarotti performance Peter PHILIPS phrases pitch Plácido Domingo playing portrayal Radio Chorus RCA/BMG recitative recorded sound Renata rhythmic Scala Chorus score seems sense Serafin Sherrill Milnes singers singing solo Solti soprano stereo studio style sung Sutherland Symphony Tebaldi tempos tenor theater timbre tion title role tonal tone vibrato Vienna Philharmonic Vienna State Opera vocal voice
References to this book
En Travesti: Women, Gender Subversion, Opera Corinne E. Blackmer,Patricia Juliana Smith No preview available - 1995 |



